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Record W6997061754

Title:\tLa Voix Defie: Une Etude de L'oeuvre Autobiographique de Claire Martin - The Voice that Defied: A Study of the Autobiographical Works of Claire Martin

2004· article· en· W6997061754 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

aboutThe title or abstract carries a Canadian signal from the geographic lexicon.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueDigitalCommons (California Polytechnic State University) · 2004
Typearticle
Languageen
FieldSocial Sciences
TopicCanadian Identity and History
Canadian institutionsnot available
Fundersnot available
KeywordsBiographyContext (archaeology)PoliticsLife writing
DOInot available

Abstract

fetched live from OpenAlex

In this thesis 1 will be examining the two-volume autobiographical uorks of Quebec writer Claire Martin, In an Iron Glove: The Left Cheek and In an Iron Glove: The Right Cheek which were published in Quebec in 1965 and 1966, respectively. I will be discussing their significance and impact, as well as situating them in their historical and social context of Quebec during the Quiet Revolution in the 1960's. I will also be indirectly exploring their contribution to the feminist awakening and the reclaiming of a female 'subject' position of this period. My essential thesis is that Martin's publication of her autobiography had strong ramifications not just because of its content, which boldly called the Quebec society of her childhood into questicn, but by the very act of writing it and using the autobiographical genre in a feminine vcice. I will begin the study in Chapter One with a brief discassion of Claire Martin's life and an overview of the themes that appear in her fictional and autobiographical works. In Chapter Two I will give a brief summary of the historical context in which her works appeared and discuss the place of women from the political and judicial perspectives in Quebec during the early twentieth century. This will include a discussion of the role the Catholic church played in Quebec society during the first five decades of the twentieth century, the effect of the Catholic church's control of the education system on female education, and a summary of the major changes which took place in Quebec society during the Quiet Revolution. In Chapter Three I will focus on the significance of autobiography as a genre from a theoretical standpoint with a particular emphasis on the feminist perspectii-e. I will also discuss the importance of Martin's use of the 'I' subject pronoun in her writing to establish herself as 'subject,' express her voice, and speak out in protest against the institutions, a patriarchal family system, the church, and state, that had oppressed llcr throughout her childhood. I will also explore the significance of autobiography written in a female voice and its impact on challenging the established social order. Martin's role as a forerunner in the use of the autobiographical genre will also be discussed with reference to the fact that this genre had hardly been used in Quebec before 1960, by men or women. In Chapter Four, I will examine Martin's use of irony as a potent form of social commentary. This will include a theoretical discussion of irony, including its particularities in the feminine voice, and a more specific look at the way Martin used irony, and especially 'ironic recitation.' The targets of Martin's irony will also be explored : her father, patriarchy in general, the Catholic church, and its misogynist view of women. The conclusion will include a brief mention of the feminist movement that exploded in Quebec in the 1970's: which was impacted by the publication of Martin's autobiography, and a restatement of the overall political and social impact of her works.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.798
Threshold uncertainty score0.893

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.002
Science and technology studies0.0010.001
Scholarly communication0.0000.000
Open science0.0010.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.013
GPT teacher head0.216
Teacher spread0.203 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it