Bibliographic record
Abstract
BLACK LANTERN MUSIC PRESENTS... [BLM048] MILD MAYNYRD - THE PARALLEL 01 Dust Bowl 02 To A Dream 03 Itasca 04 Minotaure 05 Switchbacks 06 Velvet 07 7th St. Swing 08 Passage 09 Carryin' On 10 Migrant Mother 11 Moonshine 12 Gloomy Sunday 13 Entry Static 14 Plainsman 15 River Road LINER NOTES Samples: 01 DUST BOWL: (Various) by Wes Harrison, Won’t Believe Your Ears, 1963. “Tempus Fugit” by Miles Davis, Miles Davis [Prestige], 1953. 02 TO A DREAM: “It Shouldn’t Happen To A Dream” by Sarah Vaughan, The Complete Sarah Vaughan on Mercury 1954-1956, 1987. 04 MINOTAURE: “I’ll Never Smile Again” by Sarah Vaughan, In The Land Of Hi-Fi, 1955. Interview with Duke Ellington by Sven Lindahl (for SVT), 1963. 05 SWITCHBACKS: “When You Got A Good Friend” by Robert Johnson, King Of The Delta Blues Singers, 1961. 06 VELVET: “Murder Mystery” by The Velvet Underground, Velvet Underground, 1969. 07 7TH ST SWING: “In A Sentimental Mood [Violin Version]” by Duke Ellington, Jazz Violin Session, 1963. Excerpts from The Nite Show by T.D. Mischke, 8/18/11 (for 830 WCCO). 08 PASSAGE: “Freedom of Choice” by Earth, Wind, & Fire, Powerlight, 1979. 09 CARRYIN ON: “Mad At Me” by Maria Muldaur, Maria Muldaur, 1974. 10 MIGRANT MOTHER: “Wrap Your Troubles In Dreams” by Alberta Hunter, The Glory Of Alberta Hunter, 1982. 11 MOONSHINE: “Music For My Mother” by Funkadelic, Funkadelic, 1970. “I Can’t Be Satisfied” and “Mannish Boy” by Muddy Waters, The Definitive Collection, 2000. “They Don’t Dance No Mo” by Goodie Mob, Still Standing, 1998. 12 GLOOMY SUNDAY: “Gloomy Sunday” by Billie Holiday, The Original Recordings, 1973. 14 THE PLAINSMAN: “Wake Up” by Mad Season, Above, 1995. All other sound / instrumentation Creative Commons and / or created by Mild Maynyrd. Arranged, Recorded, and Mastered by Mild Maynyrd. Album Art and Design by Dan Black. www.mildmaynyrd.bandcamp.com www.blacklanternmusic.com This work is licenced under the Creative Commons Attribution-Non-Commercial-Share Alike 2.5 UK: Scotland License. To view a copy of this licence, visit http://creativecommons.org/licenses/by-nc-sa/2.5/scotland/ or send a letter to Creative Commons, 171 Second Street, Suite 300, San Francisco, California 94105, USA. For more information about the authors of this work, and enquiries about commercial licensing options, please visit www.blacklanternmusic.com, or email blacklanternmusic@gmail.com. MUSIC WANTS TO BE FREE.
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
How this classification was reachedexpand
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.000 | 0.000 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.000 | 0.000 |
| Science and technology studies | 0.000 | 0.000 |
| Scholarly communication | 0.000 | 0.000 |
| Open science | 0.000 | 0.000 |
| Research integrity | 0.000 | 0.000 |
| Insufficient payload (model declined to judge) | 0.086 | 0.004 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; both teacher heads agree on what is shown here.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".