Anuario de Letras Modernas. Volumen 17, México 2012
Bibliographic record
Abstract
CONTENIDO; PRESENTACIÓN; ENSAYOS; Sabina Longhitano Piazza, Un estudio preliminar sobre las fuentes del episodio de la locura de Orlando en el marco de la poética ariostesca y de la cultura humanista y renacentista 15; Mario Murgia, La política extraña de algunos dramas de Shakespeare” 33; Claudia Ruiz García, La disputa de los antiguos y los modernos” 55; Adrián Muñoz, El Códice Blake: apuntes metodológicos 65; José Luis Bernal, ʻJardines’: un poema juvenil de Cesare Pavese 79; José Ricardo Chaves, Gótico alemán: Ewers y las dualidades peligrosas 95; Armando Trinidad Aguilar de León, La crisis del lenguaje en La cantatrice chauve 107; Ute Seydel, El Holocausto en tanto tropos universal para experiencias históricas traumáticas 119;Laura López Morales, Un rally entre dos bahías: la ruta histórica del Volkswagen Blues 131; Norma Garza Saldívar, La mirada oblicua o el hallazgo de lo visible” 141; Ana Paula Arnaut, El equilibrio inestable de la Historia en Memorial del convento 155; Maribel Malta Paradinha y Eduardo Iván Viveros Morales, Literaturas Africanas em Língua Portuguesa: da busca indentitária à estética da negritude” 171; Susana González Aktories, Buenos Aires Tour: nuevas maneras de leer la ciudad 187; Eva Cruz Yáñez, En busca de la diversidad: la poesía de Irlanda y Escocia en el siglo xx 203; TRADUCCIONES; Emiliano Gutiérrez Popoca, Pequeños mundos de ingenio y arte: traducción y comentario de seis sonetos religiosos de John Donne 229; Juan Carlos Calvillo Reyes, Tema y variación: hombres a los cuarenta 245; HOMENAJE A MARGARET ATWOOD.CÁTEDRA EXTRAORDINARIA MARGARET ATWOOD-GABRIELLE ROY; Claudia Lucotti, Una semblanza de Margaret Atwood 259; RESEÑAS; Gabriel Weisz y Argentina Rodríguez, Ficciones de la otredad (Federico Patán) 271; Camille Laurens, Les fiancées du diable. Enquête sur les femmes terrifiantes (Claudia Ruiz García) 273; Marina Fe, Mujeres en la hoguera. Representaciones culturales y literarias de la figura de la bruja (Raúl Quesada) 276
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How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.000 | 0.001 |
| Meta-epidemiology (narrow) | 0.001 | 0.000 |
| Meta-epidemiology (broad) | 0.001 | 0.000 |
| Bibliometrics | 0.002 | 0.003 |
| Science and technology studies | 0.004 | 0.003 |
| Scholarly communication | 0.006 | 0.003 |
| Open science | 0.001 | 0.002 |
| Research integrity | 0.002 | 0.003 |
| Insufficient payload (model declined to judge) | 0.037 | 0.005 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".