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Record W7029607017

Liberal Regrets: A Cultural Study of Canada's Redress Politics

2024· other· en· W7029607017 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

fundA Canadian funder is recorded on the work.
aboutThe title or abstract carries a Canadian signal from the geographic lexicon.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueYork University Digital Library (York University) · 2024
Typeother
Languageen
FieldMathematics
TopicProbability and Statistical Research
Canadian institutionsnot available
FundersJonsson Comprehensive Cancer CenterForeign Affairs and International Trade CanadaNorris Cotton Cancer CenterHealing FoundationNatural Hazards Research PlatformChina Scholarship CouncilPublic Safety Canada
KeywordsRedressRhetorical questionPoliticsColonialismSovereigntyIndigenousFraming (construction)Feminism
DOInot available

Abstract

fetched live from OpenAlex

This dissertation is an interdisciplinary study of the cultural and political struggles surrounding Canada’s attempts to legitimize its sovereignty through redress practices. Despite contestation, Canada’s redress politics, affectively mobilized through apologies, systematically silences significant feminist decolonial perspectives articulated in fiction by or on behalf of members of communities wronged by the state. Unsettling this silencing dynamic, this study de-centers the settler colonial logic of selected apologies through the lens of selected novels that narrate relevant wrongs differently. Drawing upon overlapping fields, including studies in the colonial nature of liberal democracy, state redress practices, and law and literature, Canada’s 1998 merged statement and 2008 apology to Indigenous peoples as well as three apologies (in 2007 and 2017) to five Canadian citizens tortured abroad after 9/11 are juxtaposed with selected novels by Lee Maracle and Sharon Bala. The rhetorical tactics in the 1998 merged statement and 2008 apology are analyzed as the affective dimension of Canada’s reconciliation discourse, framing the government’s settler colonial agenda for renewing its relationship with Indigenous peoples. I examine how Maracle’s novels - Sundogs, Ravensong, Daughters Are Forever, and Celia’s Song – deploy feminist decolonial narrative tools from Salish tradition that challenge anti-Indigenous violence perpetuated in these statements, situating them within Canada’s broader settler colonial project. Similarly, the rhetorical tactics in the 2007 apology to Maher Arar, 2017 apology to Abdullah Almalki, Ahmad El Maati, and Muayyed Nureddin, and 2017 apology to Omar Khadr are analyzed as efforts to legitimize state sovereignty by affectively reinforcing the gendered racial logic of Canada’s post-9/11 security discourse. I interpret Bala’s The Boat People, which depicts the plight of Sri Lankan Tamil migrant aboard the MV Sun Sea that arrived in Canada in 2010, as contesting the gendered racial logic of these apologies. Although the experiences of these migrants differ significantly from those of Arar, Almalki, El Maati, Nureddin, and Khadr, reading this novel as contesting the narrative of state sovereignty in the apologies to these citizens highlights the differential yet interrelated harms that Canada’s post-9/11 security discourse inflicts upon racialized citizens and non-citizens while situating this discourse within Canada’s ongoing settler colonialism.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesMeta-epidemiology (narrow), Insufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.210
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.001
Meta-epidemiology (broad)0.0010.000
Bibliometrics0.0010.001
Science and technology studies0.0000.000
Scholarly communication0.0000.001
Open science0.0010.001
Research integrity0.0000.001
Insufficient payload (model declined to judge)0.0010.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.037
GPT teacher head0.240
Teacher spread0.203 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it