Narratives of Revival: Examining Exhibitions on Knitting and Crochet in Canada and the United States
Bibliographic record
Abstract
This thesis looks at exhibitions on knitting and crochet of the last twenty years in Canada and the United States in order to reflect on the different ways in which revival can be understood or interpreted through them. The two countries’ tight-knit craft alliance throughout the 20th century is mobilized as a point of departure to examine how practices of knitting and crochet, largely absent from 20th century discourse on craft, started being displayed at the turn of the millennium. The case studies consist of four exhibitions staged by museums and galleries alike: Radical Lace & Subversive Knitting (2007) at the Museum of Arts and Design in New York, She Will Always Be Younger Than Us (2009) at the Textile Museum of Canada in Toronto, À toutes mailles! (2013) at the Centre MATERIA in Quebec City and Maison de la culture Marie-Uguay in Montreal, and SUPER STRING (2006) at the Stride Gallery in Calgary. Considering the recent historical development that are 21st century exhibitions on knitting and crochet, the thesis takes the idea of revival as a common denominator and carefully unpacks how they each engage with it, consciously or not. Furthermore, revival being a common topic in craft discourse, the thesis participates by introducing into it the theory of shaped time as elaborated by art historian George Kubler, specifically the ideas of prime objects and formal sequences, to outline each case study’s role in indexing (or perhaps reviving) knitting and crochet as artistic practices. In doing so, the thesis argues that the specificities of knitting and crochet, in their materiality and as practices embedded in rich and long-standing social histories, can be conducive to a broader understanding of cyclical patterns, thus inspire a new methodology toward the critical re-examination of persistent patterns in canonical art history.
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How this classification was reachedexpand
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.001 | 0.000 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.001 | 0.002 |
| Science and technology studies | 0.001 | 0.000 |
| Scholarly communication | 0.000 | 0.000 |
| Open science | 0.001 | 0.000 |
| Research integrity | 0.000 | 0.001 |
| Insufficient payload (model declined to judge) | 0.000 | 0.000 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one teacher head, not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".