Nuevos formatos multimedia: el documental interactivo o webdocumental. Análisis de los casos Catacombes y Points of view
Bibliographic record
Abstract
A pesar de que el documental interactivo o webdocumental se produce desde hace años principalmente en países como Francia o Canadá, en España se encuentra aún en pleno desarrollo y auge. Existen ejemplos de ellos realizados por empresas nacionales, pero no son muchos los ciudadanos que saben de la existencia de los documentales interactivos. Este nuevo formato que parece potenciar el género documental tiene perspectivas de ser uno de los más adecuados para la sociedad tecnológica y virtual en la que vivimos hoy en día. En este trabajo, a partir de estudios sobre la cultura visual, se analizan los webdocumentales Catacombes (con una perspectiva cultural y de divulgación) y Points of view (que se podría catalogar como periodismo de denuncia) para explicar qué es un documental interactivo, cuáles son sus características y cómo hay que interactuar y navegar en la web para conocer todo su contenido. Palabras clave: webdocumental, documental interactivo, nuevos formatos del documental, interfaz de usuario, multimedialidad, interacción, Catacombes, Points of view, In spite of interactive documentary or web documentary being produced for several years in countries like France or Canada, in Spain it is still under development yet rising. There are examples made by national companies but not many people are aware of their existence. This new format, that seems to strengthen documentary genre, has the potential to be one of the most appropriate for the present technological and virtual society in which we live. This work, through theories about visual culture, analyses the web documentaries Catacombes (in a cultural and informational view) and Points of view (that we could catalogue as complaint journalism) to explain what an interactive documentary is , which are its characteristics and how we should interact and navigate on the web to get to know all its content. Key words: webdocumentary, interactive documentary, new documentary formats, user interface, multimediality, interactivity, Catacombes, Points of view
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How this classification was reachedexpand
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.001 | 0.000 |
| Meta-epidemiology (narrow) | 0.001 | 0.001 |
| Meta-epidemiology (broad) | 0.001 | 0.001 |
| Bibliometrics | 0.001 | 0.001 |
| Science and technology studies | 0.001 | 0.001 |
| Scholarly communication | 0.000 | 0.004 |
| Open science | 0.001 | 0.000 |
| Research integrity | 0.001 | 0.001 |
| Insufficient payload (model declined to judge) | 0.002 | 0.001 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; both teacher heads agree on what is shown here.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".