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Record W7065717463

Exhibition floor talk | Terra

2024· article· en· W7065717463 on OpenAlexaboutno aff

Bibliographic record

VenueAustralasian Journal of Paramedicine · 2024
Typearticle
Languageen
FieldPhysics and Astronomy
TopicParticle Detector Development and Performance
Canadian institutionsnot available
Fundersnot available
KeywordsExhibitionMeaning (existential)History of artExposition (narrative)PhotographyVitalityCultural historyHistory of photography
DOInot available

Abstract

fetched live from OpenAlex

Terra is a solo photographic landscape history of Western Australia. At its core is the evidence, demonstrated through a series of photographic narratives, of the destruction of landscape since colonisation as a cultural act (hence the pun in the title). The dead and dying towns, the denuded terrain, the wreckage strewn across that landscape belong to a history that is gormless and ingenuous, brutish and pitiless, surreptitious, dishonest and inevitable. There are two compelling processes available to historians: one is to tell a story that has so far been lost or otherwise hidden. The other is to shift people’s perspectives so that old ways of thinking are discarded. This exhibition employs both. The panoramas explore the deep time of a landscape shaped by ice ages and fluctuating sea levels. The images depict events that indirectly play into the history of destruction, refusing to reveal meaning but implying that even acts of minor significance are inextricable from others that have dramatic repercussions. The works are created with film. Analogue cameras impose limitations upon the photographer, obliging him or her to calculate and compose, but the images can also have a rawness and vitality that digital work cannot achieve. John Toohey is currently a PhD candidate in Art History at Concordia University, Montreal, Canada, where he lived from 2012 to 2018. His thesis examines landscape history through Edwardian postcards. He has an M.A in Art History and an Honours Degree in History. His experience combines photography and landscape and social history, and recently includes the production of audiowalks, engaging listeners, readers and viewers in appreciating the hidden traces of the city around them. Toohey has exhibited and published his photographs in Australia and overseas and his work is held in national collections. His books and articles have had international success. In 2019 he won the Lawrence Wilson Art Writing Prize on Ailsa Lee-Brown’s portrait by Adelaide Perry. His book, Strange Encounters, will be published in the UK in early 2024.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.001
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesInsufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.556
Threshold uncertainty score0.634

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.001
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0010.001
Bibliometrics0.0010.000
Science and technology studies0.0030.001
Scholarly communication0.0050.002
Open science0.0010.005
Research integrity0.0020.004
Insufficient payload (model declined to judge)0.5560.209

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.014
GPT teacher head0.275
Teacher spread0.261 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2024
Admission routes1
Has abstractyes

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