Why this work is in the frame
A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.
Bibliographic record
Abstract
The Pleasant Nights. By Giovan Francesco Straparola, vol. 1. Edited and with an Introduction by Donald Beecher. Toronto: University of Toronto Press, 2012. 764 pp. (Reviewed By Licia Masoni, University of Bologna)\nIm Reich der Wünsche. Edited by Shawn C. Jarvis. Munich: C. H. Beck, 2012. 366 pp. (Reviewed By Julie Koehler, Wayne State University)\nThe Donkey Lady and Other Tales from the Arabian Gulf. Edited by Patty Paine, Jesse Ulmer, and Michael Hersrud. Highclere, UK: Berkshire Academic Press, 2013. 264 pp. (Reviewed By Margaret Mills, Ohio State University)\nFolklore and Nationalism in Europe During the Long Nineteenth Century. Edited by Timothy Baycroft and David Hopkin. Leiden: Brill, 2012. 423 pp. (Reviewed By Jack Zipes, University of Minnesota)\nTransgressive Tales: Queering the Grimms. Edited by Kay Turner and Pauline Greenhill. Detroit: Wayne State University Press, 2012. 358 pp. (Reviewed By Helen Miriam Bendix, Bard College | Regina F. Bendix, University of Göttingen)\nReading, Translating, Rewriting: Angela Carter’s Translational Poetics. By Martine Hennard Dutheil de la Rochère. Detroit: Wayne State University Press, 2013. 374 pp. (Reviewed By Michelle Ryan-Sautour, Université d’Angers, France)\nRunning with the Fairies: Towards a Transpersonal Anthropology of Religion. By Dennis Gaffin. Newcastle upon Tyne, UK: Cambridge Scholars Publishing, 2012. 293 pp. (Reviewed By Jessica Jernigan, Central Michigan University)\nFéeries: Études sur le conte merveilleux XVIIe–XIXe siècle. Vol. 7,\nLe Conte et la Fable. Edited by Aurelia and Jean-Paul Gaillard Sermain. 2010. 264 pp.,\nFéeries: Études sur le conte merveilleux XVIIe–XIXe siècle. Vol. 8,\nLe merveilleux français à travers les siècles, les langues, les continents. Edited by Jean Mainil. 2011. 258 pp. (Reviewed By Marianthi Kaplanoglou, University of Athens, Greece)\nBlancanieves. Written and directed by Pablo Berger. Performed by Sofia Oria, Macareena Garcia, Daniel Giminez Cacho, and Maribel Verdu. Cohen Media Group, 2013. Film. (Reviewed By Jan Susina, Illinois State University)\nBeauty and the Beast. Directed by Phelan McDermott. Featuring Mat Fraser and Julie Atlas Muz. Co-produced by ONEOFUS and Improbable. The Young Vic Theatre, London, December 4–11, 2013. Performance. (Reviewed By Lili Sarnyai, University of London)\nGrimm Girls: Picturing the Princess. The Otter Gallery, University of Chichester, Chichester, November 23, 2013–January 26, 2014. Exhibit. (Reviewed By Joanna Coleman, University of Chichester)\nWS. By Paul McCarthy. Park Avenue Armory, New York, June 19–August 4, 2013. Exhibit. (Reviewed By Jennifer Orme, Review Editor | Kay Turner, New York University | Taylor Black | Rebecca LeVine | Kiera Bono | Melissa West | Cassidy Hollinger)
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.001 | 0.000 |
| Meta-epidemiology (narrow) | 0.003 | 0.003 |
| Meta-epidemiology (broad) | 0.007 | 0.003 |
| Bibliometrics | 0.003 | 0.002 |
| Science and technology studies | 0.002 | 0.004 |
| Scholarly communication | 0.002 | 0.003 |
| Open science | 0.003 | 0.002 |
| Research integrity | 0.001 | 0.002 |
| Insufficient payload (model declined to judge) | 0.001 | 0.004 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it