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Bibliographic record
Abstract
L'auteure explore les contenus mt'diatiques sur la rt'cente nomination dxdrienne Clarkson au poste de Gouverneur-gt'nt'raldu Canada, et dt'couvre desfa fons d'articuler legenre et l'ethniequandils 'agitdedeFnir fa nationalitt'canadienne. My first and until recently, only encounterwith images of Adrienne Clarkson was of flipping past her CBC arts program about ten years ago. I remember the moment well because my family had just immigrated here, and Clarkson's program came on the first time I turned on our TV. We had only a small black and white television set then, and I was sorely disappointed to discover that my viewing choices that afternoon were limited to two sports events and this Art showwhich seemed to be in equal parts dull and pretentious. The next time I noticed Clarkson on TV was during her introduction as Canada's new Viceroy by Prime Minister Jean Chretien. This time, my reaction was quite different. The moment Clarkson declared, "I came to Canada as a refugee " I was, frankly, surprised (I was not aware that she was "Chinese") and delighted. How brave, I thought, to appoint a Chinese-Canadian immigrant Governor-General, in the midst of all the (racist) outrage over the supposed Boat refugee "crisis " on the West coast. How splendid, I believed, that she would so adamantly identiG her "refugee roots." In the days that followed the announcement, a great deal ofink, paper, and airtime was dedicated to journalists and commentators contemplating her "curious " appointment. Those In pointing of US who knew very little about her Ut C l a rkSO lS before theappointment, who might have never watched any of her ethnicity and shows, were now unable to avoid gender, Chretien was aware his choice ruptured a dominant conception of Canadian nationals as white people. the most intimate details ofher life. We were told about her failed first marriage and her quickie new one, her "tragic " estrangement from her daughters, her uppity ways and exorbitant spending habits, her ambition and cunning, and her harassment of one neighbor, one TorontoSunwriter implied, to death
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How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.001 | 0.002 |
| Meta-epidemiology (narrow) | 0.001 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.001 | 0.001 |
| Science and technology studies | 0.005 | 0.001 |
| Scholarly communication | 0.006 | 0.002 |
| Open science | 0.001 | 0.003 |
| Research integrity | 0.002 | 0.002 |
| Insufficient payload (model declined to judge) | 0.842 | 0.746 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; the direct Gemma label and the distilled Codex classifier agree on what is shown here.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".