Bob & Sink:Group Exhibition, Aesthetica Art Prize, York Art Gallery
Bibliographic record
Abstract
Exhibition Dates 13 March – 5 July 2020 Featuring the work "Bob & Sink" by Pernille Spence and Zoe Irvine. The renowned Aesthetica Art Prize Exhibition returns this Spring, inviting audiences to discover and engage with new ideas from the next generation of talent. Hosted by the international art and culture publication Aesthetica Magazine, it redefines the parameters of contemporary art. Since its establishment 13 years ago, the prize has provided a platform for artists from across the world, supporting and enhancing their careers through prize money, exhibition, publication and talent development, inviting leading jurors such as Sarah Allen, Assistant Curator, Tate Modern; Claire Catterall, Senior Curator, Somerset House; Damon Jackson-Waldock, Deputy Curator, Yorkshire Sculpture Park; Pierre Saurisse, Lecturer, Sotheby’s Institute of Art, and Eliza Williams, Editor, Creative Review. The 2020 exhibition (13 March – 5 July, York Art Gallery, UK) includes 18 artists that respond to today’s key issues, unpacking the layers of digitalised, globalised world. It is a celebration of emerging and established artists from across the world, inviting audiences to be inspired by a wealth of ideas and perspectives. Curated by Cherie Federico and Griselda Goldsbrough. More: www.aestheticamagazine.com/artprize Exhibiting Artists: Andreas Lutz (Germany); Andres Orozco (USA); Bill Posters (Barnaby Francis) & Daniel Howe (UK); Chris Yuan (UK); Christiane Zschommler (UK); Christopher Stott (Canada); Erik Deerly (USA); Fragmentin (Switzerland); Emmy Yoneda (UK); Geoff Titley (UK); Kenichi Shikata (Japan); Laura Besançon (UK); Natalia Garcia Clark (Mexico); Oliver Canessa (Gibraltar); Patty Carroll (USA); Pernille Spence & Zoë Irvine (UK), Rhea Storr (UK); Stephanie Potter Corwin (USA).
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.001 | 0.002 |
| Meta-epidemiology (narrow) | 0.001 | 0.001 |
| Meta-epidemiology (broad) | 0.001 | 0.001 |
| Bibliometrics | 0.001 | 0.001 |
| Science and technology studies | 0.004 | 0.001 |
| Scholarly communication | 0.007 | 0.003 |
| Open science | 0.001 | 0.004 |
| Research integrity | 0.002 | 0.002 |
| Insufficient payload (model declined to judge) | 0.779 | 0.530 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".