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Record W7115039011

On the Threshold of Becoming: Transgender Monstrosity in the Music of Kim Petras and Arca

2025· dissertation· en· W7115039011 on OpenAlexaff

Bibliographic record

VenueeScholarship@McGill (McGill) · 2025
Typedissertation
Languageen
FieldSocial Sciences
TopicAfrican Sexualities and LGBTQ+ Issues
Canadian institutionsMcGill UniversityCentre for Interdisciplinary Research in Music Media and Technology
Fundersnot available
KeywordsIdentity (music)Ethnic groupTransgenderField (mathematics)NarrativeMeaning (existential)
DOInot available

Abstract

fetched live from OpenAlex

Monsters have always existed.For as long as humans have formed societies there have been monsters lurking on the outskirts; a shorthand for everything dangerous, different and unknown.The figure of the monster defines the outer limits of normal; demonstrating when unusual becomes unacceptable and showcasing the revulsion and rejection awaiting wretched creatures who cannot conform.Given this context, it is little wonder that a marginalized group of people would resonate with tales of monstrosity.In "My Words to Victor Frankenstein above the Village of Chamounix" Susan Stryker likens her experience as a transgender woman to that of the Creature in Mary Shelley's Frankenstein, a being forced to fumble blindly through a society that is actively hostile to its existence.In this thesis I use Stryker's monstrous affect of transgender rage as a starting point to explore how trans artists Kim Petras and Arca embrace a monstrous aesthetic in their music.I examine the role of the monster in society and in fiction, outlining the queer interpretations of several common archetypes before more closely analysing the monstrous trans affect present in the music and imagery of Petras and Arca.Petras' Turn Off the Light mixtapes draw from the taboo desires of gothic horror, while Arca's Kick quintet centers the uncanniness of alien and cyborgian entities.Both artists present strong figures that deviate from societal expectations due to their assertive sexualities and trans identities, a deviation that earns them the title of monster.This thesis aims to highlight the distinctly transcoded nature of their monstrous personas and frame their music as a continuation of the preexisting practice of queer people finding strength in reclaiming monstrosity. AbrgLes monstres ont toujours exist.Ds la formation des socits, des monstres apparaissent en priphrie, symbolisant le pril, la diffrence et l'inconnu.En incarnant ce qui dpasse l'ordinaire, le monstre met en vidence la frontire de l'acceptable, dmontrant comment la diffrence devient motif de dgot et d'exclusion envers ceux qui ne peuvent pas se conformer.Il n'est pas surprenant que des individus marginaliss s'intressent aux rcits de monstruosit dans un tel contexte.Susan Stryker, dans My Words to Victor Frankenstein Above the Village of Chamounix , assimile son exprience de femme transgenre celle de la Crature de Frankenstein dans le roman de Mary Shelley, condamne avancer l'aveugle dans une socit qui rejette sa prsence.Dans ce thse, j'utilise l'affect monstrueux de la rage transgenre

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.002
metaresearch head score (Gemma)0.001
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesMeta-epidemiology (narrow)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Theoretical or conceptual · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.635
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0020.001
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0010.000
Bibliometrics0.0000.001
Science and technology studies0.0010.000
Scholarly communication0.0000.000
Open science0.0010.000
Research integrity0.0000.001
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.058
GPT teacher head0.298
Teacher spread0.240 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one teacher head, not a consensus.

Study designTheoretical or conceptual
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2025
Admission routes1
Has abstractyes

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