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Record W7116093510 · doi:10.34874/prsm/archtype-49890

Écriture du confinement ou déconfinement de l’écriture en temps de pandémie dans L’été des adieux de Najib Redouane

2024· article· fr· W7116093510 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

aboutThe title or abstract carries a Canadian signal from the geographic lexicon.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenuePRSM · 2024
Typearticle
Languagefr
FieldSocial Sciences
TopicMigration and Exile Studies
Canadian institutionsnot available
Fundersnot available
KeywordsHumanityMartiniqueEthnographyESPACE

Abstract

fetched live from OpenAlex

Résumé La littérature française est riche de romans qui traitent des sujets relatifs aux épidémies. Ils ont décrit un monde en friche, infecté certes par la maladie, mais qui renseigne allégoriquement sur un Mal plus profond touchant l’humanité. À son tour, la pandémie actuelle de la Covid 19 n’a pas laissé les écrivains indifférents. Beaucoup ont transfiguré le confinement en une expérience créatrice, s’ouvrant sur des univers mouvants et multiples, faisant des mots la panacée de tous les maux. Ils nous invitent à réfléchir sur notre propre condition pour mieux comprendre nos réactions, les uns envers les autres. Najib Redouane, écrivain francophone, canado-américain d’origine marocaine, a consacré son roman L’été des adieux, paru en 2021, à cette crise sanitaire et ses retombées psychosociales. C’est un texte sur le confinement et sur le périple ibérique du personnage autodiégétique qui entame, après un temps de répit, un pèlerinage amoureux et commémoratif. Nous nous intéresserons aux différentes formes de la mobilité dans ce roman. Cette dernière est non seulement spatiale et culturelle à travers des déplacements d’un site monumental à un autre en péninsule ibérique, mais elle est aussi psychomémorielle en déployant tout un processus d’introspection et de prospection par le biais de la rétrospection. C’est une œuvre qui explore les abysses de la conscience, affrontant la complexité humaine dans toutes ses contradictions en ce temps de crise. Mots-clés : Confinement, Mobilité, Mémoire, Crise, Humain ; Abstract The French literature is rich in novels that deal with subjects related to epidemics. They have described a world in ruins, infected by the disease, but they have also alluded to a deeper evil that affects humanity. In the same way, the current Covid-19 pandemic has not left writers indifferent. Many have transformed the lockdown into a creative experience, opening up to a world of movement and multiplicity, offering words as a panacea for all ills. They invite us to reflect on our own condition to better understand our reactions, both towards each other. Najib Redouane, a Francophone writer, born in Morocco and now living in Canada and the United States, has dedicated his novel L’été des adieux (The Summer of Goodbyes), published in 2021, to this health crisis and its psychosocial consequences. It is a story about confinement and the protagonist's autobiographical journey, after a period of respite, to a love pilgrimage and commemorative journey. We will focus on the various forms of mobility in this novel. This last one is not only spatial and cultural, traversing a monumental site to another in the Iberian Peninsula, but it is also psychomemorial, deploying a whole process of introspection and prospecting through the retrospective. It is a work that explores the depths of human consciousness, facing the complexity of humanity in all its contradictions in this time of crisis. Keywords: Confinement, Mobility, Memory, Crisis, Human;

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesMeta-epidemiology (narrow), Insufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.664
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0010.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0010.001
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0030.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.024
GPT teacher head0.311
Teacher spread0.287 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it