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Record W7132103214

Non-invasive in situ Examination of Colour Changes of Blue Paints in Danish Golden Age Paintings

2016· article· en· W7132103214 on OpenAlexaff
David Buti, Anna Vila, Troels Folke Filtenborg, Kasper Monrad, Johanne Marie Nielsen, Laura Cartechini, Annalisa Chieli, Chiara Grazia, Francesca Gabrieli

Bibliographic record

VenueMinistry of Culture Research Portal · 2016
Typearticle
Languageen
FieldArts and Humanities
TopicCultural Heritage Materials Analysis
Canadian institutionsCanadian Association of Thoracic Surgeons
Fundersnot available
KeywordsPrussian bluePaintingWhite (mutation)DanishBlue lightPigmentPolychrome
DOInot available

Abstract

fetched live from OpenAlex

A non-invasive study of some paintings containing areas of paint with a Prussian blue component has been conducted at the Statens Museum for Kunst. The in situ campaign has been carried out with a range of different spectroscopic portable techniques, provided by the MOLAB transnational access within the IPERION-CH European Infrastructure (http://www.iperionch.eu/). Visual examination of the paintings, highlights of the Danish Golden Age collection, revealed a significant degree of fading of the blue paint in areas exposed to the light, when compared with those protected by the rebate of the frame. Prussian blue is a hydrated iron(III) hexacyanoferrate(II) complex of variable composition depending on the manufacturing [1]. It has been reported that the method of preparation, as well as the use of white pigments or extenders to dilute the blue pigment, may be a factor contributing to its impermanence and behaviour following light exposure [1, 2]. Several papers have been published investigating this phenomenon [2, 3] on laboratory paint models. By means of X-ray fluorescence (XRF), Fourier-transformed infrared spectroscopy (FTIR), UV-vis-NIR reflectance spectroscopy and digital microscopy, the current in situ campaign aimed at mapping and understanding the degradation of Prussian blue and lead white admixtures using non-invasive portable techniques. The presence of Prussian blue was detected, with the MOLAB analytical means, in all the exposed, faded areas, although the colour had turned pale blue or almost white compared to the original tone. XRF indicated a very low and comparable amount of iron in both faded and non-faded areas. FTIR showed, in some cases, changes in the shape/position of the CN band profile of Prussian blue, and UV-vis-NIR results confirmed the presence in all cases of the blue pigment also highlighting some differences. The non-invasive analysis is complemented by the results collected on some micro-samples previously taken during restoration [4]. To rationalize the data and understand the degradation phenomenon occurring in the Danish Golden Age paintings, specifically conceived paint models have been prepared, aged under different conditions and investigated. <br/>Acknowledgements <br/>Financial support by the Access to Research Infrastructures activity in the H2020 Programme of the EU (IPERION CH Grant Agreement No. 654028) is gratefully acknowledged.<br/>References <br/>[1] Kirby, J. and Saunders, D., The National Gallery Technical Bulletin, 2004. 25(1).<br/>[2] Samain, L., et al., Journal of Analytical Atomic Spectrometry, 2013. 28(4).<br/>[3] Samain, L., et al., The Journal of Physical Chemistry C, 2013. 117(19).<br/>[4] Monrad, K. et al., Science and Art. The painted surface, 2014. RSC, Chapter 17.<br/>

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.002
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesInsufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Bench or experimental · Consensus signal: Bench or experimental
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.159
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0020.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.001
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0010.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.065
GPT teacher head0.311
Teacher spread0.246 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one teacher head, not a consensus.

Study designBench or experimental
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

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Citations0
Published2016
Admission routes1
Has abstractyes

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