MétaCan
Menu
Back to cohort
Record W7132321371

European Music Analysis and the Politics of Identity (special issue of Danish Musicology Online)

2022· article· en· W7132321371 on OpenAlexaboutno aff
Thomas Husted; id_orcid 0000-0002-2949-2569 Kirkegaard, Mikkel Vad

Bibliographic record

VenueMinistry of Culture Research Portal · 2022
Typearticle
Languageen
FieldArts and Humanities
TopicMusicology and Musical Analysis
Canadian institutionsnot available
FundersUniversitetet i OsloUniversity of OxfordUniversity of Cambridge
KeywordsPoliticsMusicologyIdentity (music)DanishNational identity
DOInot available

Abstract

fetched live from OpenAlex

speech "Music Theory's White Racial Frame" at the 2019 meeting of the Society for Music Theory became a watershed event, the reverberations of which are still felt throughout musicology.Ewell's speech and his subsequently published expanded article (2020) gave rise to a state of public attention that the field of music theory has arguably never seen before.Ewell's claim was as simple as it was powerful: Music theory is white-literally and figuratively.Literally because the overwhelming majority of the members of the North American (i.e. the United States and Canada) Society for Music Theory are white, and figuratively because North American music theory is characterized by its "white racial frame," a term Ewell (2020, 2.1) borrowed from Joe Feagin ([2009] 2013) to denote how "music theory has many of the prejudices and stereotypes that are part of the white racial frame, most noticeably in how we privilege the compositional and theoretical work of whites over nonwhites."Ewell backed up his claim with a case study on the most influential music theorist in the United States, Heinrich Schenker, arguing that Schenker's racism and nationalism permeated his music theory and that it had been "whitewashed" by generations of US music theorists who failed to acknowledge and face the grim sides of his theory.The public debate seriously began when the infamous "Symposium on Philip Ewell's SMT 2019 Plenary Paper, 'Music Theory's White Racial Frame'" was published in the twelfth issue of Journal of Schenkerian Studies (henceforth JSS12).This symposium, to which Ewell had not been invited to respond, was seriously stained by dubious scholarly practices such as ad hominem attacks on Ewell and an anonymous contribution.The widespread critique of the issue ultimately prompted a formal investigation of the conception and review process of JSS12 which found several structural problems. 1During the Summer of 2020-in the wake of the brutal police killing of George Floyd and renewed attention to the Black Lives Matter movement-the debate reached popular media outlets such as Fox News, the New York Times, the New Yorker, and more, and it also spread to European forums.The public debate is often especially high-pitched when it comes to areas bordering on "identity politics."That this is a general phenomenon, is, for instance, seen currently in the ways that Critical Race Theory is heavily debated and largely misunderstood in political discourse in the United States; and in Denmark, the very term " identity politics" has been a most disputed concept in recent years (we put the term

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.002
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesScience and technology studies, Insufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.743
Threshold uncertainty score0.999

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0020.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0010.000
Bibliometrics0.0000.000
Science and technology studies0.0010.004
Scholarly communication0.0000.000
Open science0.0000.001
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0260.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.064
GPT teacher head0.334
Teacher spread0.270 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one teacher head, not a consensus.

Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2022
Admission routes1
Has abstractyes

Explore more

Same venueMinistry of Culture Research PortalSame topicMusicology and Musical AnalysisFrench-language works237,207