MétaCan
Menu
Back to cohort
Record W7133071870

"getting it straight": Ambivalent Misalignment and the Kinship Idiom in the Drama of Sharon Pollock

2014· dissertation· W7133071870 on OpenAlexfundno aff
Kathy K.Y. Chung

Bibliographic record

VenueTSpace · 2014
Typedissertation
Language
FieldArts and Humanities
TopicTheatre and Performance Studies
Canadian institutionsnot available
FundersUniversity of Toronto
KeywordsAmbivalenceDramaKinshipPollock
DOInot available

Abstract

fetched live from OpenAlex

This study explores Canadian playwright Sharon Pollock's work under the conceptual and formal framework of what I call "ambivalent misalignment" and "the kinship idiom:" the former in terms of relationships between individuals and groups, and as a characteristic dramatic form; and the latter, as both the context within which misalignments are manifest and as an idiom through which Pollock's characters and communities articulate their experiences.Scholars have described Pollock as a "playwright of conscience," emphasising the content and instrumental nature of her work.My focus is on Pollock as artist and the forms and techniques she uses to convey her ideas and meanings.I argue that ambivalent misalignment and the kinship idiom form a cohesive framework which makes visible neglected formal, emotional, ethical, and thematic elements in Pollock's work.ii My work is informed by the theoretical observations of Susan Letzler Cole, on tragic drama and mourning rituals; Bennett Simon, on familial conflict in tragedy and its structural representation; Carol Gilligan, on relational psychology and the justice and care orientations in ethical decision making; and finally, Günther Anders, on the importance of imagination and feeling for ethical action.Chapter two explores Pollock's representations of the literal and metaphoric family and recurring issues such as identity, self-knowledge, the self-in-relation, and the ambivalent difficulties of belonging.Chapter three focuses on familial loss and mourning and related concerns such as one's relation to the past.I also discuss formal elements of the mourning ritual in Pollock's work, including the liminal, the mourner-inheritor, the beloved deceased, and ambivalence.Chapter four considers stories about relations and relational stories, and how storytelling functions as strategic performance, a way of being in relationship, and a means of selfreflection.I argue that misalignment is a necessary and positive condition for ethical storytelling.Finally, chapter five examines Pollock's visions of desirable communities.I show how Pollock dramatises the ambivalent misalignment between the justice and care orientations in ethical decision making.I also demonstrate how kinship informs Pollock's ethical values and her use of the kinship idiom as a means to create an expansive moral imagination and affective response necessary for ethically responsible action.iii The completion of this study has been a long and fitful journey, with many stops and starts and detours along the way.It would not have been possible without the help and support of many many people over the years.In addition, my work in the early years was supported by the

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.003
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.015
Threshold uncertainty score0.030

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.003
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0120.014
Scholarly communication0.0070.005
Open science0.0010.005
Research integrity0.0020.004
Insufficient payload (model declined to judge)0.0040.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.029
GPT teacher head0.301
Teacher spread0.272 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2014
Admission routes1
Has abstractyes

Explore more

Same venueTSpaceSame topicTheatre and Performance StudiesFrench-language works237,207