UKRAINIAN THEATRE IN THE POLISH SOCIO-CULTURAL SPACE OF THE FIRST QUARTER OF THE 21ST CENTURY AS A COMPONENT OF TRANSCULTURAL DIALOGUE
Bibliographic record
Abstract
The article examines Ukrainian theater in the Polish socio-cultural space of the first quarter of the 21st century as a component of transcultural dialogue, a tool for forming national and cultural identity in the context of the war in Ukraine and the forced migration associated with it. Its role in shaping performative practices of solidarity is determined, institutional integration, and decolonization of cultural narratives is determined. The purpose of scientific research is to understand the representation of Ukrainian theater in Poland as a transcultural phenomenon of the period under study. Special attention is paid to the analysis of representation formats (guest screenings, co-productions, educational projects) and thematic lines (war, refugee, historical memory, etc.) of Ukrainian theater in Poland in its geographical centers (Wroclaw, Warsaw, Bydgoszcz). Empirical data on Ukrainian theater in Poland as a complex phenomenon combining a humanitarian response to the war, tools of cultural diplomacy, and mechanisms of institutional integration are systematized and analyzed. It is shown that Ukrainian theater in Poland functions as an active agent of transcultural theater practices, which transforms the Polish theater field and contributes to the rethinking of the image of Ukraine in the European cultural space. It has been proven that Ukrainian theater in Poland plays a significant role in the formation of cross-border solidarity, the renewal of cultural memory, and the integration of Ukrainian artists into European networks of theaters of migration (Theatre of Migration). Such initiatives expand the boundaries of recognition and understanding of Ukrainian culture, influence repertoire strategies, and the politics of memory, promote mutual understanding and social integration, create space for Ukrainian-Polish cultural dialogue, overcome stereotypes, forming shared values and achieving new models of social interaction and cultural diplomacy. Key words: Ukrainian theater, theater art, Ukrainian-Polish cultural dialogue, theater practices, transcultural dialogue, national-cultural identity, dialogue of cultures, theater of migration, co-production, historical memory, intercultural communication, Poland, Ukraine, cultural diplomacy, socio-cultural space of the first quarter of the 21st century.
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How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.002 | 0.002 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.001 | 0.001 |
| Science and technology studies | 0.004 | 0.007 |
| Scholarly communication | 0.006 | 0.004 |
| Open science | 0.000 | 0.007 |
| Research integrity | 0.000 | 0.001 |
| Insufficient payload (model declined to judge) | 0.002 | 0.000 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".