Why this work is in the frame
A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.
Bibliographic record
Abstract
Distributed by Good DocsProduced by Abby Ginzberg and Christy CarpenterDirected by Abby Ginzberg and Christy Carpenter2024, Streaming, 56 mins Shaking It Up: The Life and Times of Liz Carpenter delivers a highly informative look at the life of journalist, savvy political aide, and advocate for women’s equality, Liz Carpenter. Born in Texas in 1920, Carpenter graduated from the University of Texas and began her career as a reporter. With her husband, a fellow journalist , she moved to Washington, D.C., where she covered the White House for Texas newspapers. During this time, Liz Carpenter paved the way for women reporters; as the film repeatedly states, she was a trailblazer because there was no trail for a woman reporter to follow. Transitioning from journalism, she became a key aide to Lyndon Johnson upon his rise to the Vice-Presidency. Her seemingly ubiquitous proximity to major moments in the 20th Century is exemplified by her presence on Air Force One when Johnson took the oath of office after the assassination of President Kennedy. In fact, Carpenter wrote the statement that Johnson made upon arriving back in Washington. The film provides numerous other examples. Shaking It Up is a well-produced film. The roster of interviewees runs the gamut from celebrity (the Johnson daughters), to scholarly, to political. These speakers provide insightful commentary on Liz Carpenter’s work, personality, and life. These interviews are expertly interspersed with archival photos and film footage. The film’s editing deserves special commendation. Shaking It Up: The Life and Times of Liz Carpenter is highly recommended. Courses in political science, women’s studies, U.S. history, journalism, and many others would benefit by including this film on the syllabus. Further, Shaking it Up is a documentary worth watching on its own merits, as its subject is fascinating and the skill of the filmmakers is abundant. Awards:Best Biographical Film, Toronto International Women Film Festival; Best Feature Documentary Film, Hill Country Film Festival
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.001 | 0.002 |
| Meta-epidemiology (narrow) | 0.001 | 0.000 |
| Meta-epidemiology (broad) | 0.001 | 0.001 |
| Bibliometrics | 0.001 | 0.001 |
| Science and technology studies | 0.001 | 0.000 |
| Scholarly communication | 0.001 | 0.001 |
| Open science | 0.001 | 0.000 |
| Research integrity | 0.000 | 0.001 |
| Insufficient payload (model declined to judge) | 0.040 | 0.001 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it