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Record W7162020439 · doi:10.82308/51586

An analysis of Irish famine texts, 1845-2000 : the discursive uses of hunger

2001· dissertation· en· W7162020439 on OpenAlexaboutno aff
Jerome Joseph. Day

Bibliographic record

Venuenot available
Typedissertation
Languageen
FieldSocial Sciences
TopicIrish and British Studies
Canadian institutionsnot available
Fundersnot available
KeywordsFamineIrishMeaning (existential)PoliticsPeriod (music)PhenomenonOriginal meaning

Abstract

fetched live from OpenAlex

The Great Famine (1845--1852) was not only a catastrophic moment in Irish history, it was and remains an important source of textual production, particularly in regard to literature and drama. These cultural products carry a powerful discourse used to communicate various social and political agendas. From the beginning, Irish novelists, poets and dramatists have confronted the question of the Famine's meaning then and now. At each historical moment, they have interrogated the Famine and have employed various discursive strategies to communicate to their readers and audiences. This dissertation makes four primary claims: (a) The historical Irish Famine has remained a source of discursive activity by Irish writers, and so constitutes a phenomenon that merits communication research; (b) This discursive content constructs the Famine in ways that communicate its meaning for contemporary readers in successive historical periods; (c) The multiple discursive meanings of the Famine are often contradictory, and demonstrate the conflicting socio-cultural and political goals of both writers and their readerships; and (d) The emergence and evolution of Famine discourse, which consistently recruits pre-existing discourses, provides an important site for examination of the communicational function of imaginative literature and drama. A survey of Famine literature and drama reveals inconsistent patterns of textual production and discursive content. By determining the historical periods of Famine literary and dramatic production, and by analyzing the contextual dimensions and textual features of representative works, the reasons behind periods of high and low output, the purposes of discursive maintenance and manipulation and the relationship between literary and dramatic discourse and readerships can be approached. To undertake this analysis, five central tropes---land, national identity, religion, gender and agency---are employed. These themes are multi-layered and mutually implicated both on the level of textual production and consumption, that is, in their writing and in their reading/viewing. These tropes have been employed in and through the communicational perspectives of several thinkers, notably Pierre Bourdieu and Teun van Dijk. Termed an Gorta Mor in the Irish language, the Famine dramatically altered Ireland's social, economic and political fabric, triggered massive emigration to America, Britain and Canada, and etched itself into the Irish psyche as an enduring, if frequently repressed, moment of trauma. As such, a study of its role in communication, in human meaning-making, can illuminate not only Irish experience but the human capacity to tell a bitter, painful story, for specific ends, by remembering and manipulating its elements and to use that story as tool in achieving social and political goals, and in obtaining or maintaining power.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.003
metaresearch head score (Gemma)0.011
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Qualitative · Consensus signal: Qualitative
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.044
Threshold uncertainty score0.088

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0030.011
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0090.010
Science and technology studies0.0030.004
Scholarly communication0.0040.002
Open science0.0010.002
Research integrity0.0010.001
Insufficient payload (model declined to judge)0.0030.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.015
GPT teacher head0.339
Teacher spread0.324 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designQualitative
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2001
Admission routes1
Has abstractyes

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