Why this work is in the frame
A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.
Bibliographic record
Abstract
Distributed by Film MovementProduced by Jennifer Beals, Will Patton, and Sam RockwellDirected by Alexandre Rockwell2020, Streaming, 91 mins A powerful film of a young girl trying to navigate the world of parental addiction, divorce, fear, being a runaway, and trying to keep her family together. Mostly set in an urban setting, there are times that the young girl Billie, named for Billie Holiday, and her brother Nico get to leave their troubles behind as they get to go to the beach. I thought it was very effective that the filmmaker used the Black and White for the grittier everyday life scenes and would change to color when Billie would fantasize about being with her mother in the earlier part of the film. The filmmaker also used the iris-out shot technique to have Billie think of her mother as she saw her as the perfect parent. This technique was also used in other parts of the film to transition from one situation to another. The gritty music of Billie Holiday accentuates both the rawness and the melancholy sweetness of the subject matter. The film would be very useful to be in a collection to teach students who are not familiar with an urban or addictive culture what it is like to be in that kind of situation. There are touching times when the two young people get to be children, like the scenes at Christmas. The main character also must be the parent as she takes care of her father or protects her brother. The film could be used in an urban studies, education, or social justice curriculum. Awards:Piazolla prize, Mar Del Plata Film Festival; Crystal Bear Generation Kplus, Best Film, Berlin Int'l. Film Festival; People's Choice Award, Pingyao Int'l. Film Festival; College Jury Prize, Quebec City Int'l. Film Festival; Nominated, Golden Spike, Valladolid Int'l. Film Festival; Official Selection, Tribeca Film Festival; Official Selection, Mill Valley Film Festival; Official Selection, Tokyo Int'l. Film Festival
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Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.002 | 0.003 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.001 | 0.000 |
| Bibliometrics | 0.000 | 0.001 |
| Science and technology studies | 0.001 | 0.000 |
| Scholarly communication | 0.000 | 0.000 |
| Open science | 0.001 | 0.000 |
| Research integrity | 0.000 | 0.001 |
| Insufficient payload (model declined to judge) | 0.028 | 0.002 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it