Why this work is in the frame
A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.
Bibliographic record
Abstract
Distributed by Good DocsProduced by Jacqueline RhodesDirected by Jacqueline Rhodes2020, Streaming, 83 mins This documentary explores the history, politics, and inter-personal relationships of the lesbian feminist collective group the Furies, active during the early 1970s. Through interviews with ten of the twelve original collective members (including award-winning feminist author Rita Mae Brown), as well as archival material and writing, this film traces the history of the collective from formation to its conclusion shortly afterwards. Topics such as the political background of the collective and its members, as well as the major political ideas of the collective – such a lesbian separatism, political lesbianism, and its context within the women’s liberation movement more widely are all covered in detail. The film provides a helpful understanding of the impact of the The Furies publication, both during the time the collective existed and after the dissolution of the collective. However, the greater target of the film is the membership themselves - their passions, conflicts, and relationships with each other. The film is a unique insight into the dynamics of the group and intensity of living in the Furies collective as an experience for its members. The focus on the member interviews without a strong supporting structure to pull out the themes and events being discussed creates challenges in holding viewer attention. The strengths of this film are firmly in the in-depth, specialized research the filmmaker has undertaken, rather than the narrative or technical aspects of the film. Because of the detailed nature of Once a Fury, it would be most appropriate for viewers interested in a specific study of The Furies as a feminist collective, rather than a more general exploration of lesbian feminism. Awards:2022 Lavender Rhetorics Award for Best Queer Research (nontraditional), Conference on College Composition & Communication; Best Documentary, Los Angeles Motion Picture Festival, Silver Award; Best Documentary, Madrid Art Film Festival; Best Documentary, Paris Independent Film Festival; Best LGBTQ Feature, Beyond the Curve International Film Festival; Best LGBTQ Feature, Los Angeles Motion Picture Festival, Gold Award; Best LGBTQ Feature, Queen City Film Festival
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Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.002 | 0.002 |
| Meta-epidemiology (narrow) | 0.000 | 0.001 |
| Meta-epidemiology (broad) | 0.001 | 0.000 |
| Bibliometrics | 0.000 | 0.001 |
| Science and technology studies | 0.001 | 0.000 |
| Scholarly communication | 0.000 | 0.000 |
| Open science | 0.001 | 0.000 |
| Research integrity | 0.000 | 0.002 |
| Insufficient payload (model declined to judge) | 0.110 | 0.008 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it