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4,299,418 works, Canadian by any of four routes.

Every filter state is a URL; the URL is the query; the query is citable via /q/⟨hash⟩. The page, the API and the export parse the same parameters.

The current cohort, streamed from the database: every work column, the machine labels, the provisional scores, and the per-row validation status. Exports are capped at 100,000 rows. Mints a permanent /q/ link for this exact query. The same filters always produce the same link, whoever asks.

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Cinema and Media Studies
Retraction
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Direct Codex and Gemma labels are unvalidated and sparse. Distilled predictions cover the full frame and are also unvalidated. Choose the evidence source explicitly; absence of a direct label is never a negative label.

affaffiliation
fundfunder
venuejournal
aboutaboutness

The four routes compose: require the funder route and exclude affiliation to get the funder-only stratum no affiliation-based frame ever sees.

2,489 results · 1 filter active ·
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20002025
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Machine labels · sparse coverage
Evidence
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An unlabeled work is unknown, not a negative. Label coverage is reported on every query.
2,489 works in the cohort · of 4,299,418page 16 of 50

Labels cover 2 of 2,489 works in this cohort. The rest are unlabeled, which is not a negative label: the label table is sparse today and grows as labeling rounds land.

Distilled predictions cover 2,489 of 2,489 works in this cohort. Predictions are machine_predicted_unvalidated. The Gemma side is a direct model label for every work (title-only); the Codex side is a distilled, calibrated classifier. Candidate is the union; consensus is the intersection.

venueno affno abstractunlabeled
Pen and Pixel
Kevin P. Black, Stef Cancelli, Paul Mortfield, John Mirtle, Albert Saikaley
2007· article· en· Journal of the Royal Astronomical Society of Canada· Economics, Econometrics and Finance
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
venueno affno abstractunlabeled
Balade cool / Broken Flowers de Jim Jarmusch
Stéphane Defoy
2005· article· fr· Ciné bulles· Economics, Econometrics and Finance
machine prediction:candidate · noneconsensus · none
0
citations
affvenueunlabeled
Review Article: The End of Extreme Cinema Studies
Troy Michael Bordun
2017· article· en· Canadian review of comparative literature· Economics, Econometrics and Finance
machine prediction:candidate · noneconsensus · none
0
citations
affunlabeled
The ‘Will-To-Not-Know’
Mihnea Panu
2016· book-chapter· en· Palgrave Macmillan UK eBooks· Economics, Econometrics and Finance
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
There’s a good girl
Hannah McGill
2021· article· en· Sight & sound/Sight and sound· Economics, Econometrics and Finance
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
Gazette du 6 février 2025
2025· article· fr· Industrias Culturais (Universidade de Coimbra)· Economics, Econometrics and Finance
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
Introduction: ‘You’ve gotta laugh’
Tony Whitehead
2012· book-chapter· en· Manchester University Press eBooks· Economics, Econometrics and Finance
machine prediction:candidate · noneconsensus · none
0
citations
fundno affunlabeled
Frontmatter
Mathilde Rouxel, Stefanie Van de Peer
2021· book-chapter· en· Edinburgh University Press eBooks· Economics, Econometrics and Finance
machine prediction:candidate · insufficient_payloadconsensus · insufficient_payload
0
citations
venueno affno abstractunlabeled
Using Up Words in Paul Monette's AIDS Elegy
Lloyd Edward Kermode
2011· article· en· Canadian review of comparative literature· Economics, Econometrics and Finance
machine prediction:candidate · noneconsensus · none
0
citations
affunlabeled
Notes on Contributors
Romain Chareyron, Gilles Viennot
2019· book-chapter· en· Edinburgh University Press eBooks· Economics, Econometrics and Finance
machine prediction:candidate · insufficient_payloadconsensus · insufficient_payload
0
citations
affno abstractunlabeled
The Value of the Parochial: Film and the Commonplace
Janine Marchessault
2011· article· en· DOAJ (DOAJ: Directory of Open Access Journals)· Economics, Econometrics and Finance
machine prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
Caroline Bainbridge, Feminine Cinematics
Alexia Bowler
2009· article· en· Thirdspace· Economics, Econometrics and Finance
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affno abstractunlabeled
The Cinema of Canada
David Hutchison
2007· article· en· British Journal of Canadian Studies· Economics, Econometrics and Finance
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
2009 Cannes Film Festival
Robert K. Lightning
2010· article· en· Cineaction!· Economics, Econometrics and Finance
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
The Feminine Peter Pan
Felicia Jones
2013· article· en· ScholarsArchive (Brigham Young University)· Economics, Econometrics and Finance
machine prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
A Pretty Girl
Marjorie Deiter Keyishian
2007· article· en· Women in Judaism A Multidisciplinary e-Journal· Economics, Econometrics and Finance
machine prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
Queer Film Classics Series: Book Review
Glyn Davis
2012· article· en· Canadian Journal of Film Studies· Economics, Econometrics and Finance
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
Chop Suey: Photographs to Remember You By
Richard Lippe
2002· article· en· Cineaction!· Economics, Econometrics and Finance
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
Moving Images
Laura U. Marks
2012· article· en· Afterimage· Economics, Econometrics and Finance
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations

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