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4,299,418 works, Canadian by any of four routes.

Every filter state is a URL; the URL is the query; the query is citable via /q/⟨hash⟩. The page, the API and the export parse the same parameters.

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The current cohort, streamed from the database: every work column, the machine labels, the provisional scores, and the per-row validation status. Exports are capped at 100,000 rows. Mints a permanent /q/ link for this exact query. The same filters always produce the same link, whoever asks.

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Shakespeare, Adaptation, and Literary Criticism
Retraction
Abstract
Evidence source
Study design
Label agreement
Label status

Direct Codex and Gemma labels are unvalidated and sparse. Distilled predictions cover the full frame and are also unvalidated. Choose the evidence source explicitly; absence of a direct label is never a negative label.

affaffiliation
fundfunder
venuejournal
aboutaboutness

The four routes compose: require the funder route and exclude affiliation to get the funder-only stratum no affiliation-based frame ever sees.

1,286 results · 1 filter active ·
Results by year
20002025
Publication date
Categories
Machine labels · sparse coverage
Evidence
Language
Type
Citations
An unlabeled work is unknown, not a negative. Label coverage is reported on every query.
1,286 works in the cohort · of 4,299,418page 19 of 26

Labels cover 1 of 1,286 works in this cohort. The rest are unlabeled, which is not a negative label: the label table is sparse today and grows as labeling rounds land.

Distilled predictions cover 1,286 of 1,286 works in this cohort. Predictions are machine_predicted_unvalidated. The Gemma side is a direct model label for every work (title-only); the Codex side is a distilled, calibrated classifier. Candidate is the union; consensus is the intersection.

affno abstractunlabeled
Shakespeare and Russian Music
Michelle Assay
2023· book-chapter· en· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
Conclusion
Maria Festa, Bénédicte Ledent
2025· book-chapter· en· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
affunlabeled
Modernist Fraud
Leonard Diepeveen
2019· book· en· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affno abstractunlabeled
Adaptation as Communication
Anne Furlong
2024· book-chapter· en· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
Robin Hood and Criminality
2020· other· en· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affunlabeled
Imagining Shakespeare’s Audience
Jeremy López
2018· reference-entry· en· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
$pent (review)
Robert Knopf
2011· article· en· Theatre Journal· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affno abstractunlabeled
Staging The Penelopiad
Penny Farfan
2021· book-chapter· en· Palgrave studies in adaptation and visual culture· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affunlabeled
Singularly Shakespearean
James Purkis
2015· book-chapter· en· Cambridge University Press eBooks· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
The Seen, the Heard, and the Read
Nataša Ďurovičová
2006· article· en· Canadian Journal of Film Studies· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
Native Voices: Hamlet Soliliquy
Lorraine Mayer
2015· article· en· Canadian journal of native studies· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affno abstractunlabeled
Disruptive Alterity and the Uncanny
Gillian Dunks
2015· article· en· Open Collections· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
A Novel's Journey into Film.
Susan Swan
2002· article· en· Essays on Canadian writing· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affno abstractunlabeled
Emilio, Canada [Québec] 2005, 9 minutes
Élie Castiel
2005· article· fr· Séquences : la revue de cinéma· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affunlabeled
The Elastically Clumsy Novel
Daniel Wright
2019· article· en· NOVEL A Forum on Fiction· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affno abstractunlabeled
The Infant King
J. Daniel Gibson
2004· article· en· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affno abstractunlabeled
Adaptation and the Adapted Text
Sanja Garić-Komnenić
2024· book-chapter· en· Adaptation in theatre and performance· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
King Lear and Incest, 1969-2016: In Media Res
Carol Thomas Neely
2020· article· en· Borrowers and Lenders The Journal of Shakespeare Appropriations· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
À la recherche de L'Île perdue
Edmund Stenson
2015· dissertation· fr· Spectrum Research Repository (Concordia University)· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
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How this was built: Screen · Findings · About