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4,299,418 works, Canadian by any of four routes.

Every filter state is a URL; the URL is the query; the query is citable via /q/⟨hash⟩. The page, the API and the export parse the same parameters.

The current cohort, streamed from the database: every work column, the machine labels, the provisional scores, and the per-row validation status. Exports are capped at 100,000 rows. Mints a permanent /q/ link for this exact query. The same filters always produce the same link, whoever asks.

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Caribbean and African Literature and Culture
Retraction
Abstract
Evidence source
Study design
Label agreement
Label status

Direct Codex and Gemma labels are unvalidated and sparse. Distilled predictions cover the full frame and are also unvalidated. Choose the evidence source explicitly; absence of a direct label is never a negative label.

affaffiliation
fundfunder
venuejournal
aboutaboutness

The four routes compose: require the funder route and exclude affiliation to get the funder-only stratum no affiliation-based frame ever sees.

1,338 results · 1 filter active ·
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20002025
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Categories
Machine labels · sparse coverage
Evidence
Language
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An unlabeled work is unknown, not a negative. Label coverage is reported on every query.
1,338 works in the cohort · of 4,299,418page 23 of 27

Labels cover 3 of 1,338 works in this cohort. The rest are unlabeled, which is not a negative label: the label table is sparse today and grows as labeling rounds land.

Distilled predictions cover 1,338 of 1,338 works in this cohort. Predictions are machine_predicted_unvalidated. The Gemma side is a direct model label for every work (title-only); the Codex side is a distilled, calibrated classifier. Candidate is the union; consensus is the intersection.

aboutno affunlabeled
Port-Brillet en canicule
2020· article· es· Industrias Culturais (Universidade de Coimbra)· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
Tengo miedo (extraits)
María Mercedes Carranza
2003· article· es· Liberté· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
venueno affno abstractunlabeled
Les boîtes vides
Moïse Piuze
2012· article· fr· XYZ. La revue de la nouvelle· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affno abstractunlabeled
Lectures au soleil
Isabelle L’Italien-Savard
2010· article· fr· Québec français· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
venueno affno abstractunlabeled
Au clair de lune
Louise de gonzague Pelletier
2007· article· fr· XYZ. La revue de la nouvelle· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
The Haitian Educational Problematic
Paul C. Mocombe
2019· article· en· BiblioBoard Library Catalog (Open Research Library)· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affno abstractunlabeled
Chanson d’Amérique
Gilles Perron
2015· article· fr· Québec français/Québec-français· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affno abstractunlabeled
Paul Bossé : un regard amusé sur Moncton
David Lonergan
2018· article· fr· Érudit (Université de Montréal)· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
Liminaire: hommage à Kourouma
Bernadette Kassi-Krécoum, Pierre Kadi Sossou
2007· article· fr· Nouvelles études francophones/Nouvelles etudes francophones· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affno abstractunlabeled
Entrevue avec Darcia Labrosse
Françoise Lepage
2008· article· fr· Canadian Children's Literature / Littérature canadienne pour la jeunesse· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
Assoiffés de sens
Le comité de rédaction
2006· article· fr· Liberté· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations

How this was built: Screen · Findings · About