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4,299,418 works, Canadian by any of four routes.

Every filter state is a URL; the URL is the query; the query is citable via /q/⟨hash⟩. The page, the API and the export parse the same parameters.

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The current cohort, streamed from the database: every work column, the machine labels, the provisional scores, and the per-row validation status. Exports are capped at 100,000 rows. Mints a permanent /q/ link for this exact query. The same filters always produce the same link, whoever asks.

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Diverse Musicological Studies
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Direct Codex and Gemma labels are unvalidated and sparse. Distilled predictions cover the full frame and are also unvalidated. Choose the evidence source explicitly; absence of a direct label is never a negative label.

affaffiliation
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venuejournal
aboutaboutness

The four routes compose: require the funder route and exclude affiliation to get the funder-only stratum no affiliation-based frame ever sees.

1,502 results · 1 filter active ·
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20002025
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Machine labels · sparse coverage
Evidence
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An unlabeled work is unknown, not a negative. Label coverage is reported on every query.
1,502 works in the cohort · of 4,299,418page 24 of 31

Labels cover 5 of 1,502 works in this cohort. The rest are unlabeled, which is not a negative label: the label table is sparse today and grows as labeling rounds land.

Distilled predictions cover 1,502 of 1,502 works in this cohort. Predictions are machine_predicted_unvalidated. The Gemma side is a direct model label for every work (title-only); the Codex side is a distilled, calibrated classifier. Candidate is the union; consensus is the intersection.

affunlabeled
Sirenian Sounds
Renata S. Sousa‐Lima, Juan Carlos Azofeifa-Solano, Vera Maria Ferreira da Silva, Giovanna A. Dantas, Isadora M. Carletti, Ann E. Bowles +1 more
2025· book-chapter· en· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affno abstractunlabeled
Music Credits
Leslie De’Ath
2018· other· en· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · insufficient_payload
0
citations
aboutno affunlabeled
Telling Time
Tia Wong
2024· book-chapter· en· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affunlabeled
Performing Culture
2023· other· en· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
Why it all began
Michael Church
2021· other· en· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affno abstractunlabeled
Cambridge Songs
Gernot Wieland
2017· dataset· en· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
Amesha Spenta for Two Pianos and Orchestra
Iman Habibi
2017· article· en· Deep Blue (University of Michigan)· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
Ferry schedule
2018· article· en· Open Collections· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
aboutno affunlabeled
Smell the concrete
Tom Charity
2010· article· en· Sight & sound/Sight and sound· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
Oh, Canada!
David H. Kirkwood
2005· article· en· The Hearing Journal· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
venueno affno abstractunlabeled
Brenda Cleniuk: Wind Song Machine
David Garneau
2009· article· en· Vie des arts· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
venueno affunlabeled
On the Role of Emotion in Vocal Music
Lu Ji
2015· article· en· Canadian social science· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
Reflections from a Chant Winner
Richard Huziak
2002· article· en· Journal of the Royal Astronomical Society of Canada· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affno abstractunlabeled
<i>Nation and Classical Music: From Handel to Copland</i>. By Matthew Riley and Anthony D. Smith. Music in Society and Culture. Edited by Vanessa Agnew, Katharine Ellis, Jonathan Glixon, and David Gramit.Woodbridge: Boydell Press, 2016. Pp. x+246. $45.00.<i>Composing for the State: Music in Twentieth-Century Dictatorships</i>. Edited by Esteban Buch, Igor Contreras Zubillaga, and Manuel Deniz Silva. Musical Cultures of the Twentieth Century, volume 2. Edited by Gianmario Borio.Abingdon: Ashgate, 2016. Pp. x+224. $104.95 (cloth); $54.95 (e-book).
Anthony J. Steinhoff
2018· article· en· The Journal of Modern History· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
Notes on Contributing Authors
2022· article· en· Ethnomusicology· Arts and Humanities
machine prediction:candidate · metaresearch+insufficient_payloadconsensus · none
0
citations
affno abstractunlabeled
Voice
Jeffrey A. Nisker
2000· article· en· Journal SOGC· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
aboutno affno abstractunlabeled
Great Canadian Hymns
Margaret Leask
2012· article· en· The Hymn· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
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