MétaCan
Menu
Cohort builder

4,299,418 works, Canadian by any of four routes.

Every filter state is a URL; the URL is the query; the query is citable via /q/⟨hash⟩. The page, the API and the export parse the same parameters.

The current cohort, streamed from the database: every work column, the machine labels, the provisional scores, and the per-row validation status. Exports are capped at 100,000 rows. Mints a permanent /q/ link for this exact query. The same filters always produce the same link, whoever asks.

Search term
Author
Year range
Sort
Language
Type
Field
Venue
Topic
Diverse Music Education Insights
Retraction
Abstract
Evidence source
Study design
Label agreement
Label status

Direct Codex and Gemma labels are unvalidated and sparse. Distilled predictions cover the full frame and are also unvalidated. Choose the evidence source explicitly; absence of a direct label is never a negative label.

affaffiliation
fundfunder
venuejournal
aboutaboutness

The four routes compose: require the funder route and exclude affiliation to get the funder-only stratum no affiliation-based frame ever sees.

1,227 results · 1 filter active ·
Results by year
20002025
Publication date
Categories
Machine labels · sparse coverage
Evidence
Language
Type
Citations
An unlabeled work is unknown, not a negative. Label coverage is reported on every query.
1,227 works in the cohort · of 4,299,418page 3 of 25

Labels cover 0 of 1,227 works in this cohort. The rest are unlabeled, which is not a negative label: the label table is sparse today and grows as labeling rounds land.

Distilled predictions cover 1,227 of 1,227 works in this cohort. Predictions are machine_predicted_unvalidated. The Gemma side is a direct model label for every work (title-only); the Codex side is a distilled, calibrated classifier. Candidate is the union; consensus is the intersection.

affaboutunlabeled
The secondary aspects of collective music-making
Rosemyriam Cunha, Lisa Lorenzino
2012· article· en· Research Studies in Music Education· Arts and Humanities
machine prediction:candidate · noneconsensus · none
21
citations
affunlabeled
Music Education and Social Reproduction
Ruth Wright
2016· book-chapter· en· Oxford University Press eBooks· Arts and Humanities
machine prediction:candidate · noneconsensus · none
21
citations
aboutno affunlabeled
New horizons in print: A synthesis of primary sources
William Dabback, Don D. Coffman, Debbie Rohwer
2018· article· en· International Journal of Community Music· Arts and Humanities
machine prediction:candidate · noneconsensus · none
19
citations
affunlabeled
De-centering Music: A “sound education”
Matias Recharte
2019· article· en· Action Criticism and Theory for Music Education· Arts and Humanities
machine prediction:candidate · noneconsensus · none
18
citations
affno abstractunlabeled
Cultivating Music Play
Francine Morin
2001· article· en· General Music Today· Arts and Humanities
machine prediction:candidate · noneconsensus · none
18
citations
afffundunlabeled
Characteristics of independent music teachers
Рена Упитис, Philip C. Abrami, Julia Brook, Karen Boese, Matthew King
2016· article· en· Music Education Research· Arts and Humanities
machine prediction:candidate · noneconsensus · none
15
citations

How this was built: Screen · Findings · About