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4,299,418 works, Canadian by any of four routes.

Every filter state is a URL; the URL is the query; the query is citable via /q/⟨hash⟩. The page, the API and the export parse the same parameters.

The current cohort, streamed from the database: every work column, the machine labels, the provisional scores, and the per-row validation status. Exports are capped at 100,000 rows. Mints a permanent /q/ link for this exact query. The same filters always produce the same link, whoever asks.

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Diverse Musicological Studies
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Direct Codex and Gemma labels are unvalidated and sparse. Distilled predictions cover the full frame and are also unvalidated. Choose the evidence source explicitly; absence of a direct label is never a negative label.

affaffiliation
fundfunder
venuejournal
aboutaboutness

The four routes compose: require the funder route and exclude affiliation to get the funder-only stratum no affiliation-based frame ever sees.

1,502 results · 1 filter active ·
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20002025
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Machine labels · sparse coverage
Evidence
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An unlabeled work is unknown, not a negative. Label coverage is reported on every query.
1,502 works in the cohort · of 4,299,418page 3 of 31

Labels cover 5 of 1,502 works in this cohort. The rest are unlabeled, which is not a negative label: the label table is sparse today and grows as labeling rounds land.

Distilled predictions cover 1,502 of 1,502 works in this cohort. Predictions are machine_predicted_unvalidated. The Gemma side is a direct model label for every work (title-only); the Codex side is a distilled, calibrated classifier. Candidate is the union; consensus is the intersection.

venueno affunlabeled
Acoustic Space1
R. Murray Schafer
2008· article· en· Circuit Musiques contemporaines· Arts and Humanities
machine prediction:candidate · noneconsensus · none
3
citations
venueno affunlabeled
Oscar Peterson: A Musical Biography
James McGowan
2003· article· fr· CAML Review / Revue de l ACBM· Arts and Humanities
machine prediction:candidate · noneconsensus · none
3
citations
affno abstractunlabeled
Acoustics Australia
Marion Burgess, Australia, Truda King, Ross Chapman, Leilei Chen, Wenchang Zhao +35 more
2018· article· en· Acoustics Australia· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · none
3
citations
venueno affunlabeled
Listening and Mediation
Halla Steinunn Stefánsdóttir, Stefan Östersjö
2022· article· en· Phenomenology & Practice· Arts and Humanities
machine prediction:candidate · noneconsensus · none
3
citations
venueaboutno affunlabeled
CAML Review / Revue de l ACBM
2021· paratext· fr· CAML Review / Revue de l ACBM· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · none
3
citations
affunlabeled
African reinventions of the guitar
Banning Eyre
2003· book-chapter· en· Cambridge University Press eBooks· Arts and Humanities
machine prediction:candidate · noneconsensus · none
2
citations
affvenueunlabeled
Modern singing sons of the Pharaohs
Carolyn Ramzy
2017· article· en· Ethnologies· Arts and Humanities
machine prediction:candidate · noneconsensus · none
2
citations
2
citations
aboutno affunlabeled
Reforms to Canadian Social Security, 1996-7
2008· article· en· ScholarlyCommons (University of Pennsylvania)· Arts and Humanities
machine prediction:candidate · noneconsensus · none
2
citations
affaboutunlabeled
The voice in the wilderness
Marlin Aadland
2008· article· en· Consensus· Arts and Humanities
machine prediction:candidate · noneconsensus · none
2
citations
venueno affunlabeled
Hearing Zong! Choreosonographies of Silence
Kyle Kinaschuk
2021· article· en· Studies in Canadian Literature· Arts and Humanities
machine prediction:candidate · noneconsensus · none
2
citations
venueno affunlabeled
Who Needs Classical Music?
Edward Jurkowski
2003· article· en· CAML Review / Revue de l ACBM· Arts and Humanities
machine prediction:candidate · noneconsensus · none
2
citations

How this was built: Screen · Findings · About