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4,299,418 works, Canadian by any of four routes.

Every filter state is a URL; the URL is the query; the query is citable via /q/⟨hash⟩. The page, the API and the export parse the same parameters.

The current cohort, streamed from the database: every work column, the machine labels, the provisional scores, and the per-row validation status. Exports are capped at 100,000 rows. Mints a permanent /q/ link for this exact query. The same filters always produce the same link, whoever asks.

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Theatre and Performance Studies
Retraction
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Direct Codex and Gemma labels are unvalidated and sparse. Distilled predictions cover the full frame and are also unvalidated. Choose the evidence source explicitly; absence of a direct label is never a negative label.

affaffiliation
fundfunder
venuejournal
aboutaboutness

The four routes compose: require the funder route and exclude affiliation to get the funder-only stratum no affiliation-based frame ever sees.

2,690 results · 1 filter active ·
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20002025
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Machine labels · sparse coverage
Evidence
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An unlabeled work is unknown, not a negative. Label coverage is reported on every query.
2,690 works in the cohort · of 4,299,418page 33 of 54

Labels cover 2 of 2,690 works in this cohort. The rest are unlabeled, which is not a negative label: the label table is sparse today and grows as labeling rounds land.

Distilled predictions cover 2,690 of 2,690 works in this cohort. Predictions are machine_predicted_unvalidated. The Gemma side is a direct model label for every work (title-only); the Codex side is a distilled, calibrated classifier. Candidate is the union; consensus is the intersection.

venueaboutno affunlabeled
Présentation
Laura Levin, Andy Houston
2008· article· fr· Theatre Research in Canada· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
venueaboutno affunlabeled
Redrawing <i>The Drawer Boy</i>
Gerhard Hauck
2001· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
I AM A GENIUS DOES ANYONE HERE KNOW ME?
Lois Brown
2021· article· en· Canadian Journal of Disability Studies· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
fundvenueno affunlabeled
Reviews
2013· article· en· Modern Drama· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
‘Illuminated by the light of the sun’
Helen Eastman
2022· book-chapter· en· Oxford University Press eBooks· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
New-Play Development
Augusto Baal, Legislative Theatre
2004· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueaboutno affunlabeled
At Home in Exile
Allan Pero
2009· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueaboutno affunlabeled
Stepping from the Wings
Wanda C. Fitzgerald
2005· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affunlabeled
The theatre of Louise Lowe
Emer O’Toole
2025· article· en· Studies in Theatre and Performance· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affvenueunlabeled
10,000 Nights: Highlights from 50 Years of Theatre-Going
Sara Warner, Elinor Fuchs, David Savran, Donatella Galella, Erin Hurley, Harvey Young +2 more
2018· article· en· Modern Drama· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
Highway to the Valley
Michelle La Flamme
2012· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueaboutno affunlabeled
Intensive Connections
Luke Reece
2021· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations

How this was built: Screen · Findings · About