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4,299,418 works, Canadian by any of four routes.

Every filter state is a URL; the URL is the query; the query is citable via /q/⟨hash⟩. The page, the API and the export parse the same parameters.

The current cohort, streamed from the database: every work column, the machine labels, the provisional scores, and the per-row validation status. Exports are capped at 100,000 rows. Mints a permanent /q/ link for this exact query. The same filters always produce the same link, whoever asks.

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Cultural Industries and Urban Development
Retraction
Abstract
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Direct Codex and Gemma labels are unvalidated and sparse. Distilled predictions cover the full frame and are also unvalidated. Choose the evidence source explicitly; absence of a direct label is never a negative label.

affaffiliation
fundfunder
venuejournal
aboutaboutness

The four routes compose: require the funder route and exclude affiliation to get the funder-only stratum no affiliation-based frame ever sees.

2,719 results · 1 filter active ·
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20002025
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Machine labels · sparse coverage
Evidence
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An unlabeled work is unknown, not a negative. Label coverage is reported on every query.
2,719 works in the cohort · of 4,299,418page 36 of 55

Labels cover 10 of 2,719 works in this cohort. The rest are unlabeled, which is not a negative label: the label table is sparse today and grows as labeling rounds land.

Distilled predictions cover 2,719 of 2,719 works in this cohort. Predictions are machine_predicted_unvalidated. The Gemma side is a direct model label for every work (title-only); the Codex side is a distilled, calibrated classifier. Candidate is the union; consensus is the intersection.

aboutno affunlabeled
Co-operatives in the Cultural Industries
Marisol Sandoval, Jo Littler, Robin Murray, Rhiannon Colvin, Siôn Whellens, Tara Mulqueen
2015· article· en· tripleC Communication Capitalism & Critique Open Access Journal for a Global Sustainable Information Society· Social Sciences
machine prediction:candidate · noneconsensus · none
0
citations
affvenueaboutunlabeled
Cover Image
Balraj Mahil
2020· paratext· en· USURJ University of Saskatchewan Undergraduate Research Journal· Social Sciences
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
aboutno affunlabeled
Exhibition Reviews
Friederike Schäfer, Bill Roberts, Negin Zebarjad, Owen Duffy, Jordan MacInnis
2015· article· en· Journal of Curatorial Studies· Social Sciences
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
aboutno affno abstractunlabeled
Re cover: Emma Lake Art School, Saskatchewan
Addie Suchorab
2007· dissertation· en· PRISM (University of Calgary)· Social Sciences
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
aboutno affunlabeled
Louise T Blouin Institute, West London
Jeremy Melvin
2007· article· en· Architectural Design· Social Sciences
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
aboutno affunlabeled
Artist's book yearbook
Sarah L. Bodman
2001· book· en· UWE Research Repository (UWE Bristol)· Social Sciences
machine prediction:candidate · noneconsensus · none
0
citations
affunlabeled
The Digital Bind
Jeffrey Boase
2025· book· en· Social Sciences
machine prediction:candidate · noneconsensus · none
0
citations
affunlabeled
Book Reviews
Veronika Horlik, Nicos Souleles, Renee Turner
2017· article· en· International Journal of Education through Art· Social Sciences
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations

How this was built: Screen · Findings · About