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4,299,418 works, Canadian by any of four routes.

Every filter state is a URL; the URL is the query; the query is citable via /q/⟨hash⟩. The page, the API and the export parse the same parameters.

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The current cohort, streamed from the database: every work column, the machine labels, the provisional scores, and the per-row validation status. Exports are capped at 100,000 rows. Mints a permanent /q/ link for this exact query. The same filters always produce the same link, whoever asks.

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Museums and Cultural Heritage
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Direct Codex and Gemma labels are unvalidated and sparse. Distilled predictions cover the full frame and are also unvalidated. Choose the evidence source explicitly; absence of a direct label is never a negative label.

affaffiliation
fundfunder
venuejournal
aboutaboutness

The four routes compose: require the funder route and exclude affiliation to get the funder-only stratum no affiliation-based frame ever sees.

1,550 results · 1 filter active ·
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20002025
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Machine labels · sparse coverage
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An unlabeled work is unknown, not a negative. Label coverage is reported on every query.
1,550 works in the cohort · of 4,299,418page 5 of 31

Labels cover 2 of 1,550 works in this cohort. The rest are unlabeled, which is not a negative label: the label table is sparse today and grows as labeling rounds land.

Distilled predictions cover 1,550 of 1,550 works in this cohort. Predictions are machine_predicted_unvalidated. The Gemma side is a direct model label for every work (title-only); the Codex side is a distilled, calibrated classifier. Candidate is the union; consensus is the intersection.

aboutno affunlabeled
The Role of the University Art Museum and Gallery
Anna Hammond, Ian Berry, Sheryl Conkelton, Sharon Corwin, Pamela Franks, Katherine Hart +3 more
2006· article· en· Art Journal· Arts and Humanities
machine prediction:candidate · noneconsensus · none
6
citations
affunlabeled
Searching for Sharing
Daniela Merolla, Mark Turin
2017· book· en· World oral literature series· Arts and Humanities
machine prediction:candidate · noneconsensus · none
6
citations
afffundunlabeled
Free-choice learning in agritourism
Christine M. Van Winkle, Jill Bueddefeld
2020· article· en· World Leisure Journal· Arts and Humanities
machine prediction:candidate · noneconsensus · none
6
citations
affvenueunlabeled
Museums Without Walls
Freyja Catton, Laura Smith
2021· article· en· Pathfinder A Canadian Journal for Information Science Students and Early Career Professionals· Arts and Humanities
machine prediction:candidate · noneconsensus · none
6
citations
affunlabeled
Changing the Way We See the Museum
Vincent Dutot, Anastasia Bouton, Maxime Méaux, Elaine Mosconi
2021· article· en· International Journal of Art Culture Design and Technology· Arts and Humanities
machine prediction:candidate · noneconsensus · none
6
citations
affunlabeled
Museum and gallery pedagogic strategies for change
Darlene E. Clover, Kathy Sanford, Kay G. Johnson
2017· article· en· International Journal of Lifelong Education· Arts and Humanities
machine prediction:candidate · noneconsensus · none
5
citations
afffundunlabeled
Digital Heritage as Collaborative Process
Katherine M. Cook, Genevieve Hill
2019· article· en· Studies in Digital Heritage· Arts and Humanities
machine prediction:candidate · noneconsensus · none
5
citations
affvenueaboutunlabeled
Ethnology Museums
Laurier Turgeon, Élise Dubuc
2002· article· en· Ethnologies· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · none
5
citations
aboutno affunlabeled
Teaching and Learning in the Art Museum
Emily Pringle
2018· reference-entry· en· Oxford Research Encyclopedia of Education· Arts and Humanities
machine prediction:candidate · noneconsensus · none
4
citations
affaboutunlabeled
Quand la technologie s’invite au musée
Lucie Daignault, Claire Cousson
2011· article· fr· La Lettre de l’OCIM· Arts and Humanities
machine prediction:candidate · noneconsensus · none
4
citations
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How this was built: Screen · Findings · About