MétaCan
ENFR
Menu
Cohort builder

4,299,418 works, Canadian by any of four routes.

Every filter state is a URL; the URL is the query; the query is citable via /q/⟨hash⟩. The page, the API and the export parse the same parameters.

Export CSVExport JSONAPI query

The current cohort, streamed from the database: every work column, the machine labels, the provisional scores, and the per-row validation status. Exports are capped at 100,000 rows. Mints a permanent /q/ link for this exact query. The same filters always produce the same link, whoever asks.

Search term
Author
Year range
→
Sort
Language
Type
Field
Venue
Topic
Publishing and Scholarly Communication
Retraction
Abstract
Evidence source
Study design
Label agreement
Label status

Direct Codex and Gemma labels are unvalidated and sparse. Distilled predictions cover the full frame and are also unvalidated. Choose the evidence source explicitly; absence of a direct label is never a negative label.

affaffiliation
fundfunder
venuejournal
aboutaboutness

The four routes compose: require the funder route and exclude affiliation to get the funder-only stratum no affiliation-based frame ever sees.

827 results · 1 filter active ·
Results by year
20002025
Publication date
Categories
Machine labels · sparse coverage
Evidence
Language
Type
Citations
An unlabeled work is unknown, not a negative. Label coverage is reported on every query.
827 works in the cohort · of 4,299,418page 7 of 17

Labels cover 14 of 827 works in this cohort. The rest are unlabeled, which is not a negative label: the label table is sparse today and grows as labeling rounds land.

Distilled predictions cover 827 of 827 works in this cohort. Predictions are machine_predicted_unvalidated. The Gemma side is a direct model label for every work (title-only); the Codex side is a distilled, calibrated classifier. Candidate is the union; consensus is the intersection.

venueno affunlabeled
A Tale of Two Journals: Comment
S. K. Donovan
2005· article· en· Journal of Scholarly Publishing· Arts and Humanities
machine prediction:candidate · scholarly_communicationconsensus · none
0
citations
affunlabeled
Funding OA Books
2022· article· en· Zenodo (CERN European Organization for Nuclear Research)· Arts and Humanities
machine prediction:candidate · scholarly_communication+insufficient_payloadconsensus · none
0
citations
affaboutunlabeled
University of Alberta Library & Open Access Monographs
2024· article· en· Zenodo (CERN European Organization for Nuclear Research)· Arts and Humanities
machine prediction:candidate · scholarly_communication+open_science+insufficient_payloadconsensus · none
0
citations
aboutno affunlabeled
Open Access Journals Support in Canada
2010· other· en· PRISM (University of Calgary)· Arts and Humanities
machine prediction:candidate · scholarly_communication+open_scienceconsensus · none
0
citations
venueno affno abstractunlabeled
Stylish Academic Writing. by Helen Sword (review)
Stephen K. Donovan
2013· article· en· Journal of Scholarly Publishing· Arts and Humanities
machine prediction:candidate · scholarly_communicationconsensus · none
0
citations
aboutno affunlabeled
Education Topics Search -- ProQuest CBCA Education
Duncan Dixon
2008· article· en· PRISM (University of Calgary)· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · insufficient_payload
0
citations
fundno affunlabeled
Editorial Note
Patricia Hayes
2018· editorial· es· Kronos· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
Write edited by The Guardian (review)
Stephen K. Donovan
2014· article· en· Journal of Scholarly Publishing· Arts and Humanities
machine prediction:candidate · scholarly_communicationconsensus · none
0
citations
aboutno affunlabeled
The Importance of Care in the Publishing Process
Lynn Butler-Kisber, Mary Stewart
2017· article· en· NSUWorks (Nova Southeastern University)· Arts and Humanities
machine prediction:candidate · scholarly_communicationconsensus · none
0
citations
venueaboutno affunlabeled
Presenting this Issue
2006· article· en· Ultimate Reality and Meaning· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
aboutno affunlabeled
PERMISSION TO USE
2016· article· en· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · insufficient_payload
0
citations
fundno affunlabeled
Frontmatter
2012· book-chapter· en· University of Toronto Press eBooks· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · insufficient_payload
0
citations
aboutno affunlabeled
Morris Norman collection, 1863-1971, n.d.
Chantal Cameron
2015· article· en· Brock University Digital Repository (Brock University)· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
PERMISSION TO USE STATEMENT
2016· article· en· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · insufficient_payload
0
citations
venueno affunlabeled
Writing for Academic Journals (review)
Steven E. Gump
2010· article· en· Journal of Scholarly Publishing· Arts and Humanities
machine prediction:candidate · scholarly_communicationconsensus · none
0
citations
aboutno affunlabeled
Science, race and imperialism
Marwa Elshakry, Sujit Sivasundaram
2012· book· en· Pickering & Chatto eBooks· Arts and Humanities
machine prediction:candidate · stsconsensus · none
0
citations
aboutno affunlabeled
The Complete Poems of George Whalley
2016· book· en· McGill-Queen's University Press eBooks· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affvenueunlabeled
IRRODL Volume 12, Number 5
Various Authors
2011· article· en· The International Review of Research in Open and Distributed Learning· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · insufficient_payload
0
citations
aboutno affunlabeled
Book Design in Canada
2021· article· en· Open Collections· Arts and Humanities
machine prediction:candidate · scholarly_communicationconsensus · none
0
citations
← previousnext →

How this was built: Screen · Findings · About