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Record W6991243403

Flipping It Further: A Feminist Retranslation of 'Bonjour Tristesse' by Francoise Sagan

2021· dissertation· en· W6991243403 on OpenAlexaboutno aff

Bibliographic record

VenueTrinity's Access to Research Output (TARA) (Trinity College Dublin) · 2021
Typedissertation
Languageen
FieldArts and Humanities
TopicTranslation Studies and Practices
Canadian institutionsnot available
Fundersnot available
KeywordsPerformativityFeminismPerformative utteranceRedressTranslation studiesMeaning (existential)Feminist theoryInterpretation (philosophy)
DOInot available

Abstract

fetched live from OpenAlex

The feminist translation movement grew out of a hive of feminist activity in the 1970s and 1980s in France, the US and Canada. Women writers at this time pounced on the Derridean reassessment of the stability of meaning in language, a concept that placed the emphasis on subjective interpretation. A reimagining of language from a feminine perspective began. Through playful and unashamedly ostentatious invention and intervention the absurdities and limitations of a dominant patriarchal language were exposed and undermined. Feminist translators rose to the challenge presented by women's writing that was characterised by polysemy and neologisms. Translation strategies were appropriated to accomplish the task in a highly overt style. Meanwhile Walter Benjamin and Antoine Berman's theories showcasing the immense possibilities afforded by multiple performances of a text were enshrined in a feminist translation practice. Judith Butler developed Simone de Beauvoir's problematising of an unequal gender duality in reconceptualising gender as a performance. A perceivable overlap emerged between theories around gender performativity and the performativity of translation. Developments in gender theory and translation have thus led to a translational exploration of Butler's theory of performativity through the regendering strategy at the core of this dissertation. A feminist interpretation of Fran?oise Sagan's first novel, Bonjour Tristesse, provides the testing ground for this playful strategy with a view to establishing it as an eyecatching style of performing feminist texts. In rewriting selected passages from Sagan???s novel with regendered protagonists, the inequalities inherent in 'official' language in favour of a masculine perspective are exposed and transformed to redress the balance. Here a bisexual and unashamedly promiscuous career woman and mother figure is written into the target text with the effect of normalising sexual emancipation and non-binary parenting. Regendering can thus advance the work of feminist translation and at the same time advance the project begun by Fran?oise Sagan at the start of her literary career to demote the importance placed on gender by disrupting gender norms. ???Je n???arrive pas ?? faire des distinguos entre les hommes et les femmes. Comme entre les jeunes et les vieux. [???] Ce sont des personnes.??? [I am unable to make a distinction between men and women. Or between young and old. [???] They are people.??? (Sagan 1994 quoted in Lloyd 1995: 56)

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.006
metaresearch head score (Gemma)0.009
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.025
Threshold uncertainty score0.074

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0060.009
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0010.000
Bibliometrics0.0010.001
Science and technology studies0.0170.029
Scholarly communication0.0070.006
Open science0.0010.005
Research integrity0.0050.011
Insufficient payload (model declined to judge)0.0040.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.197
GPT teacher head0.419
Teacher spread0.222 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2021
Admission routes1
Has abstractyes

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