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4,299,418 works, Canadian by any of four routes.

Every filter state is a URL; the URL is the query; the query is citable via /q/⟨hash⟩. The page, the API and the export parse the same parameters.

The current cohort, streamed from the database: every work column, the machine labels, the provisional scores, and the per-row validation status. Exports are capped at 100,000 rows. Mints a permanent /q/ link for this exact query. The same filters always produce the same link, whoever asks.

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Cinema and Media Studies
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Direct Codex and Gemma labels are unvalidated and sparse. Distilled predictions cover the full frame and are also unvalidated. Choose the evidence source explicitly; absence of a direct label is never a negative label.

affaffiliation
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venuejournal
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The four routes compose: require the funder route and exclude affiliation to get the funder-only stratum no affiliation-based frame ever sees.

2,489 results · 1 filter active ·
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20002025
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Machine labels · sparse coverage
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An unlabeled work is unknown, not a negative. Label coverage is reported on every query.
2,489 works in the cohort · of 4,299,418page 14 of 50

Labels cover 2 of 2,489 works in this cohort. The rest are unlabeled, which is not a negative label: the label table is sparse today and grows as labeling rounds land.

Distilled predictions cover 2,489 of 2,489 works in this cohort. Predictions are machine_predicted_unvalidated. The Gemma side is a direct model label for every work (title-only); the Codex side is a distilled, calibrated classifier. Candidate is the union; consensus is the intersection.

venueno affunlabeled
Choisir de choisir — croire en ce monde
Ronald Bogue
2007· article· en· Cinémas Revue d études cinématographiques· Economics, Econometrics and Finance
machine prediction:candidate · noneconsensus · none
1
citations
venueno affunlabeled
Comic Ironic Modes in New Romanian Cinema
Christina Stojanova
2014· article· en· Kinema A Journal for Film and Audiovisual Media· Economics, Econometrics and Finance
machine prediction:candidate · noneconsensus · none
1
citations
affvenueunlabeled
Superman does laundry too
Laurence Laneuville
2021· article· en· International Journal of Whole Person Care· Economics, Econometrics and Finance
machine prediction:candidate · insufficient_payloadconsensus · none
1
citations
venueno affunlabeled
Reconfiguring Archives in Interactive Documentaries
Patrícia Nogueira, Ana Sofia Almeida
2022· article· en· Interactive Film and Media Journal· Economics, Econometrics and Finance
machine prediction:candidate · noneconsensus · none
1
citations
venueno affunlabeled
Interview with Elem Klimov
Ron Holloway
2008· article· en· Kinema A Journal for Film and Audiovisual Media· Economics, Econometrics and Finance
machine prediction:candidate · noneconsensus · none
1
citations
aboutno affno abstractunlabeled
Uncovering Canada’s Amateur Film Tradition
Charles Tepperman
2014· book-chapter· en· McGill-Queen's University Press eBooks· Economics, Econometrics and Finance
machine prediction:candidate · noneconsensus · none
1
citations
affunlabeled
Docuverse: Approaches To Expanding Documentary
Hannah Brasier, Karelle Arsenault, Liz Burke, Gerda Cammaer, N J Hansen, Adrian Miles +3 more
2018· article· en· Zenodo (CERN European Organization for Nuclear Research)· Economics, Econometrics and Finance
machine prediction:candidate · noneconsensus · none
1
citations
venueno affno abstractunlabeled
Film Review: The Cut
Anna Bátori
2018· article· en· Genocide Studies and Prevention· Economics, Econometrics and Finance
machine prediction:candidate · noneconsensus · none
1
citations
affno abstractunlabeled
Why It’s OK to Love Bad Movies
Dorian Bandy
2022· article· en· Journal of Aesthetics and Art Criticism· Economics, Econometrics and Finance
machine prediction:candidate · noneconsensus · none
1
citations
aboutno affno abstractunlabeled
Film Scenes: Paris, New York, Toronto
Janine Marchessault
2001· article· en· Public· Economics, Econometrics and Finance
machine prediction:candidate · noneconsensus · none
1
citations
aboutno affunlabeled
Circus
Marius Kwint
2012· book-chapter· en· Cambridge University Press eBooks· Economics, Econometrics and Finance
machine prediction:candidate · noneconsensus · none
1
citations
aboutno affunlabeled
John Berger of the Haute-Savoie
Jerry White
2017· article· en· Film Quarterly· Economics, Econometrics and Finance
machine prediction:candidate · noneconsensus · none
1
citations
aboutno affunlabeled
Playing with Memories
2009· book· en· University of Manitoba Press eBooks· Economics, Econometrics and Finance
machine prediction:candidate · noneconsensus · none
1
citations
venueno affunlabeled
Junk/Beauty/Respect
Sean Dixon
2006· article· en· Canadian Theatre Review· Economics, Econometrics and Finance
machine prediction:candidate · noneconsensus · none
1
citations
venueno affunlabeled
Imitation et récupération d'Eisenstein
Paul Warren
2005· article· fr· Études littéraires· Economics, Econometrics and Finance
machine prediction:candidate · noneconsensus · none
1
citations
aboutno affunlabeled
Forget Your Desire: The Cinema of Guy Maddin
Kenneth White
2006· article· en· Millennium film journal· Economics, Econometrics and Finance
machine prediction:candidate · noneconsensus · none
1
citations
aboutno affunlabeled
My Affair with Art House Cinema
Phillip Lopate
2024· book· en· Columbia University Press eBooks· Economics, Econometrics and Finance
machine prediction:candidate · noneconsensus · none
1
citations
venueno affno abstractunlabeled
Real Film
Reid Perkins-Buzo
2007· book-chapter· it· Semiotics· Economics, Econometrics and Finance
machine prediction:candidate · noneconsensus · none
1
citations
aboutno affno abstractunlabeled
Fast Company, Canada, 1979, 90 minutes
Patrice Doré
2005· article· fr· Séquences : la revue de cinéma· Economics, Econometrics and Finance
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
aboutno affno abstractunlabeled
Le film des fils. Sauvage innocence, de Philippe Garrel, France-Italie 2001, 135 minutes. . Le pornographe, de Bertrand Bonello, France-Canada 2001, 108 minutes. Sauvage innocence, de Philippe Garrel, France-Italie 2001, 135 minutes. Le pornographe, de Bertrand Bonello, France-Canada 2001, 108 minutes.
Guillaume Lafleur
2003· article· fr· Spirale : Arts • Lettres • Sciences humaines· Economics, Econometrics and Finance
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations

How this was built: Screen · Findings · About