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4,299,418 works, Canadian by any of four routes.

Every filter state is a URL; the URL is the query; the query is citable via /q/⟨hash⟩. The page, the API and the export parse the same parameters.

The current cohort, streamed from the database: every work column, the machine labels, the provisional scores, and the per-row validation status. Exports are capped at 100,000 rows. Mints a permanent /q/ link for this exact query. The same filters always produce the same link, whoever asks.

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Canadian Theatre Review
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Direct Codex and Gemma labels are unvalidated and sparse. Distilled predictions cover the full frame and are also unvalidated. Choose the evidence source explicitly; absence of a direct label is never a negative label.

affaffiliation
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venuejournal
aboutaboutness

The four routes compose: require the funder route and exclude affiliation to get the funder-only stratum no affiliation-based frame ever sees.

1,909 results · 1 filter active ·
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20002025
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Machine labels · sparse coverage
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An unlabeled work is unknown, not a negative. Label coverage is reported on every query.
1,909 works in the cohort · of 4,299,418page 15 of 39

Labels cover 0 of 1,909 works in this cohort. The rest are unlabeled, which is not a negative label: the label table is sparse today and grows as labeling rounds land.

Distilled predictions cover 1,909 of 1,909 works in this cohort. Predictions are machine_predicted_unvalidated. The Gemma side is a direct model label for every work (title-only); the Codex side is a distilled, calibrated classifier. Candidate is the union; consensus is the intersection.

venueno affunlabeled
Gender and Sexuality in Acting Training
Virginie Magnat, Sherry Bie, Brendan Healy, Matthew Jocelyn, Muriel Miguel
2014· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
Bloody Sunday
Lauren Jackson, Stephanie Russell, Sean Ogle, Ruth Goodwin, Austin Schaeffer
2011· article· en· Canadian Theatre Review· Social Sciences
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
venueno affunlabeled
17 Dog
Ron Chambers
2008· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueaboutno affunlabeled
Immersed in Musicals
Julie Tepperman
2017· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueaboutno affunlabeled
Ondinnok: the First Nations Theatre of Quebec
Yves Sioui Durand, Meg Moran
2012· article· en· Canadian Theatre Review· Social Sciences
machine prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
Practice and Research: A Report from the Academy
Patrick Blenkarn, Cole T. Lewis, Ker Wells
2017· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
Offences Must Come: MK-Woyzeck at UBC
Tom Scholte
2010· article· en· Canadian Theatre Review· Neuroscience
machine prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
The Eco Show
Daniel Brooks
2010· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueaboutno affunlabeled
Theatre SMASH CAMP
Stacey Norton, Ashlie Corcoran
2014· article· en· Canadian Theatre Review· Social Sciences
machine prediction:candidate · noneconsensus · none
0
citations
venueaboutno affunlabeled
Peterborough In Memoriam
P.K. Brask
2011· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
venueaboutno affunlabeled
<i>Dragons of Decolonial Gas Stations</i>
Frances Koncan
2016· article· en· Canadian Theatre Review· Social Sciences
machine prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
Four Olympic Legacies
David Roche
2015· article· en· Canadian Theatre Review· Social Sciences
machine prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
Perdre le nord/Losing the North
Micheline Chevrier
2025· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
Money, Money: Is Theatre a Rich Man's Game?
Robin Breon
2011· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
The Future Is Disabled
Debbie Patterson
2025· article· en· Canadian Theatre Review· Social Sciences
machine prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
Is Anyone Political Anymore?
Ruth Howard
2011· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueaboutno affunlabeled
Dancing With Shakespeare
Mark Fortier
2002· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
Holy Moly
Jarin Schexnider
2024· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
Chad Dembski
Chad Dembski
2019· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueaboutno affunlabeled
Critical Stages: Canadian Theatre in Crisis
Gordon Vogt, Alan Filewod
2000· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
The Corporate Side-hustle: Gag or Gift?
Courtney Ch’ng Lancaster
2025· article· en· Canadian Theatre Review· Business, Management and Accounting
machine prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
Theatre of the Bush
Sarah Higgins
2017· article· en· Canadian Theatre Review· Social Sciences
machine prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
Staging the Impossible: SaBooge Theatre
Craig S. Walker, Jodi Essery, Kayla Fell, Andrew Shaver
2008· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueaboutno affunlabeled
Suicide Girls Live!
Shelley Scott
2005· article· en· Canadian Theatre Review· Social Sciences
machine prediction:candidate · noneconsensus · none
0
citations

How this was built: Screen · Findings · About