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4,299,418 works, Canadian by any of four routes.

Every filter state is a URL; the URL is the query; the query is citable via /q/⟨hash⟩. The page, the API and the export parse the same parameters.

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The current cohort, streamed from the database: every work column, the machine labels, the provisional scores, and the per-row validation status. Exports are capped at 100,000 rows. Mints a permanent /q/ link for this exact query. The same filters always produce the same link, whoever asks.

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Shakespeare, Adaptation, and Literary Criticism
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Label agreement
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Direct Codex and Gemma labels are unvalidated and sparse. Distilled predictions cover the full frame and are also unvalidated. Choose the evidence source explicitly; absence of a direct label is never a negative label.

affaffiliation
fundfunder
venuejournal
aboutaboutness

The four routes compose: require the funder route and exclude affiliation to get the funder-only stratum no affiliation-based frame ever sees.

1,286 results · 1 filter active ·
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20002025
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Machine labels · sparse coverage
Evidence
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An unlabeled work is unknown, not a negative. Label coverage is reported on every query.
1,286 works in the cohort · of 4,299,418page 17 of 26

Labels cover 1 of 1,286 works in this cohort. The rest are unlabeled, which is not a negative label: the label table is sparse today and grows as labeling rounds land.

Distilled predictions cover 1,286 of 1,286 works in this cohort. Predictions are machine_predicted_unvalidated. The Gemma side is a direct model label for every work (title-only); the Codex side is a distilled, calibrated classifier. Candidate is the union; consensus is the intersection.

afffundunlabeled
Viewing Romance through a variationist lens
Shana Poplack
2023· article· en· Isogloss Open Journal of Romance Linguistics· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affaboutunlabeled
Giving Shakespeare Meaning, Canadian Style
Daniel Fischlin
2023· article· en· Borrowers and Lenders The Journal of Shakespeare Appropriations· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affunlabeled
Foreword: Shakespeare in Ukraine
Irena R. Makaryk
2025· article· en· Multicultural Shakespeare Translation Appropriation and Performance· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
Film Lovers' Delight
Jan Uhde
2010· article· en· Kinema A Journal for Film and Audiovisual Media· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
affunlabeled
Introduction
Rob Goodman
2024· article· en· The Review of Politics· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
aboutno affunlabeled
<i>Editors' Notes</i>
Alfred D. Chandler
2003· article· en· The Journal of Economic History· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
venueaboutno affunlabeled
Boom
Julie Salverson, Patti Fraser
2001· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affvenueunlabeled
Adaptations that Disinter and Disobey Shakespeare
Jocelyn Knibutat
2022· article· en· Inquiry Queen s Undergraduate Research Conference Proceedings· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affunlabeled
Authorial Revision in the Tragedies
Paul Werstíne
2016· book· en· Oxford University Press eBooks· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
Special section: Digital Shakespeares
Tom Bishop, Alexa Huang, Brett Greatley‐Hirsch, D. H. Craig
2014· book· en· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
Making "dead Birds": Chronicle of a Film.
Richard Scaglion
2010· article· en· Pacific Affairs· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affvenueno abstractunlabeled
Introduction [in English]
Mitia Rioux-Beaulne, Frans De Bruyn
2023· article· en· Lumen Selected Proceedings from the Canadian Society for Eighteenth-Century Studies· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
A Century and a Quarter of Hoyle
David Lévy
2023· article· en· The Library· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
The Queen in Shakespeare’s Q1 Hamlet
Joshua R. Held
2024· article· en· Early Theatre· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affno abstractunlabeled
The Limits of Adaptation
Anne Furlong
2024· book-chapter· en· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affunlabeled
Drunktown's Finest
2014· article· en· Journal of Religion & Film· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affunlabeled
Ad Vitam
2018· article· en· Journal of Religion & Film· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affunlabeled
What We Do in the Shadows
Rubina Ramji
2014· article· en· Journal of Religion & Film· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
fundno affunlabeled
Part Five Postscript
Gerardo della Paolera, Alan M. Taylor
2001· preprint· en· RePEc: Research Papers in Economics· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
affno abstractunlabeled
Afterword: Year 2060
Alexander Manu
2021· book-chapter· en· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
affno abstractunlabeled
Cinderella in the Academy
Tapo Chimbganda
2014· article· en· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
Errol Flynn – DEAM
idp
2019· article· en· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
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