MétaCan
ENFR
Menu
Cohort builder

4,299,418 works, Canadian by any of four routes.

Every filter state is a URL; the URL is the query; the query is citable via /q/⟨hash⟩. The page, the API and the export parse the same parameters.

Export CSVExport JSONAPI query

The current cohort, streamed from the database: every work column, the machine labels, the provisional scores, and the per-row validation status. Exports are capped at 100,000 rows. Mints a permanent /q/ link for this exact query. The same filters always produce the same link, whoever asks.

Search term
Author
Year range
→
Sort
Language
Type
Field
Venue
Canadian University Music Review
Topic
Retraction
Abstract
Evidence source
Study design
Label agreement
Label status

Direct Codex and Gemma labels are unvalidated and sparse. Distilled predictions cover the full frame and are also unvalidated. Choose the evidence source explicitly; absence of a direct label is never a negative label.

affaffiliation
fundfunder
venuejournal
aboutaboutness

The four routes compose: require the funder route and exclude affiliation to get the funder-only stratum no affiliation-based frame ever sees.

145 results · 1 filter active ·
Results by year
20002013
Publication date
Categories
Machine labels · sparse coverage
Evidence
Language
Type
Citations
An unlabeled work is unknown, not a negative. Label coverage is reported on every query.
145 works in the cohort · of 4,299,418page 2 of 3

Labels cover 0 of 145 works in this cohort. The rest are unlabeled, which is not a negative label: the label table is sparse today and grows as labeling rounds land.

Distilled predictions cover 145 of 145 works in this cohort. Predictions are machine_predicted_unvalidated teacher distillation outputs. Candidate is the union; consensus is the intersection.

venueno affunlabeled
On the Role of Vocal Idioms in Singing
James A. Stark
2013· article· en· Canadian University Music Review· Arts and Humanities
distilled prediction:candidate · insufficient_payloadconsensus · none
2
citations
affvenueunlabeled
The Magic Wand of the Wagnerians: Musik als Ausdruck
Stephen McClatchie
2013· article· en· Canadian University Music Review· Arts and Humanities
distilled prediction:candidate · insufficient_payloadconsensus · insufficient_payload
1
citations
venueno affunlabeled
Hans Rosbaud and the Music of Arnold Schoenberg
Joan Evans
2013· article· en· Canadian University Music Review· Arts and Humanities
distilled prediction:candidate · insufficient_payloadconsensus · none
1
citations
venueno affunlabeled
Efforts to Astonish
Tom Gordon
2013· article· en· Canadian University Music Review· Arts and Humanities
distilled prediction:candidate · insufficient_payloadconsensus · insufficient_payload
1
citations
venueaboutno affunlabeled
Elaine Barkin and Lydia Hamessley, eds. 1999. Audible Traces: Gender, Identity, and Music. Zurich: Carciofoli Verlagshaus. Verbal score, index, CD, 292 pp. ISBN 3-905323-00-1 (hardcover) Tullia Magrini, ed. 2003. Music and Gender: Perspectives from the Mediterranean. Chicago: University of Chicago Press, 371 pp. ISBN 0226501655 (hardcover)
Beverley Diamond
2003· article· en· Canadian University Music Review· Arts and Humanities
distilled prediction:candidate · metaepi_narrow+sts+insufficient_payloadconsensus · none
1
citations
affvenueunlabeled
Conductus as Analgesic
Bryan Gillingham
2013· article· en· Canadian University Music Review· Arts and Humanities
distilled prediction:candidate · insufficient_payloadconsensus · insufficient_payload
1
citations
venueaboutno affunlabeled
Conference Review/compte Rendu De Congrès: Toronto 2000
Charity Marsh, Roberta Lamb, Mitchell Morris
2001· article· en· Canadian University Music Review· Arts and Humanities
distilled prediction:candidate · insufficient_payloadconsensus · insufficient_payload
0
citations
venueaboutno affunlabeled
Contributors
2001· article· en· Canadian University Music Review· Social Sciences
distilled prediction:candidate · insufficient_payloadconsensus · insufficient_payload
0
citations
venueno affunlabeled
Colloquy/débat: Apropos Aesthetic Autonomy
Friedemann Sallis
2003· article· en· Canadian University Music Review· Arts and Humanities
distilled prediction:candidate · insufficient_payloadconsensus · none
0
citations
venueaboutno affunlabeled
Judith Tick. Ruth Crawford Seeger: A Composer's Search for American Music. New York and Oxford: Oxford University Press, 1997. xiv, 457 pp. ISBN 0-19- 506509-3 (hardcover) Joseph N. Straus. The Music of Ruth Crawford Seeger. Cambridge: Cambridge University Press, 1995. xii, 260 pp. ISBN 0-521-41646-9 (hardcover)
Lori Burns
2000· article· en· Canadian University Music Review· Arts and Humanities
distilled prediction:candidate · metaepi_narrow+sts+insufficient_payloadconsensus · none
0
citations
venueaboutno affunlabeled
Contributors
2002· article· en· Canadian University Music Review· Social Sciences
distilled prediction:candidate · insufficient_payloadconsensus · insufficient_payload
0
citations
venueaboutno affunlabeled
Contributors
2001· article· en· Canadian University Music Review· Arts and Humanities
distilled prediction:candidate · insufficient_payloadconsensus · insufficient_payload
0
citations
venueno affunlabeled
Leonora Unbound: Tonality as Allegory
Murray Dineen
2013· article· en· Canadian University Music Review· Arts and Humanities
distilled prediction:candidate · insufficient_payloadconsensus · insufficient_payload
0
citations
venueno affunlabeled
Apropos Aesthetic Autonomy
Friedemann Sallis
2013· article· en· Canadian University Music Review· Arts and Humanities
distilled prediction:candidate · insufficient_payloadconsensus · insufficient_payload
0
citations
venueaboutno affunlabeled
CUMS Imagined
Tom Gordon
2013· article· en· Canadian University Music Review· Arts and Humanities
distilled prediction:candidate · insufficient_payloadconsensus · insufficient_payload
0
citations
venueaboutno affunlabeled
CUMS Remembered
John Beckwith
2013· article· en· Canadian University Music Review· Social Sciences
distilled prediction:candidate · insufficient_payloadconsensus · insufficient_payload
0
citations
← previousnext →

How this was built: Screen · Findings · About