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4,299,418 works, Canadian by any of four routes.

Every filter state is a URL; the URL is the query; the query is citable via /q/⟨hash⟩. The page, the API and the export parse the same parameters.

The current cohort, streamed from the database: every work column, the machine labels, the provisional scores, and the per-row validation status. Exports are capped at 100,000 rows. Mints a permanent /q/ link for this exact query. The same filters always produce the same link, whoever asks.

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French Historical and Cultural Studies
Retraction
Abstract
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Label status

Direct Codex and Gemma labels are unvalidated and sparse. Distilled predictions cover the full frame and are also unvalidated. Choose the evidence source explicitly; absence of a direct label is never a negative label.

affaffiliation
fundfunder
venuejournal
aboutaboutness

The four routes compose: require the funder route and exclude affiliation to get the funder-only stratum no affiliation-based frame ever sees.

2,197 results · 1 filter active ·
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20002025
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Machine labels · sparse coverage
Evidence
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An unlabeled work is unknown, not a negative. Label coverage is reported on every query.
2,197 works in the cohort · of 4,299,418page 26 of 44

Labels cover 8 of 2,197 works in this cohort. The rest are unlabeled, which is not a negative label: the label table is sparse today and grows as labeling rounds land.

Distilled predictions cover 2,197 of 2,197 works in this cohort. Predictions are machine_predicted_unvalidated. The Gemma side is a direct model label for every work (title-only); the Codex side is a distilled, calibrated classifier. Candidate is the union; consensus is the intersection.

venueno affunlabeled
Intent, Process, Perceptions
2025· article· Historical Reflections/Réflexions Historiques· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
Introduction
Iulian Toma
2015· article· fr· Voix Plurielles· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affno abstractunlabeled
Review: Paris 1919
David G. Haglund
2004· article· en· International Journal Canada s Journal of Global Policy Analysis· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
Conor O'Callaghan
2020· other· fr· Industrias Culturais (Universidade de Coimbra)· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
affno abstractunlabeled
Gaël Faye. Petit Pays
Florian Alix
2017· article· fr· Afrique contemporaine· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
venueno affunlabeled
Vadia Guerre
Ronald W. Braasch
2025· article· en· Historical Reflections/Réflexions Historiques· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affunlabeled
Notices n°163-165, 176, 181, 209-210, 227
Élisabeth Taburet-Delahaye
2025· book-chapter· fr· HAL (Le Centre pour la Communication Scientifique Directe)· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · insufficient_payload
0
citations
affunlabeled
Une histoire de la main
2011· article· fr· HAL (Le Centre pour la Communication Scientifique Directe)· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
L'exception Française et l'art de la mesure
2024· book-chapter· fr· HAL (Le Centre pour la Communication Scientifique Directe)· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affunlabeled
L'ombre du 'pauvre Albert' dans Les Âmes fortes
Jean-Yves Laurichesse
2016· preprint· fr· HAL (Le Centre pour la Communication Scientifique Directe)· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affunlabeled
Compagnons et maîtres d’art
2016· article· fr· HAL (Le Centre pour la Communication Scientifique Directe)· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affunlabeled
Sortir du plan-séquence collapsologue
Jacopo Rasmi, Yves Citton
2020· preprint· fr· HAL (Le Centre pour la Communication Scientifique Directe)· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
Jour de fête DVD
Jan Uhde
2005· article· en· Kinema A Journal for Film and Audiovisual Media· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
venueno affunlabeled
Les genres de la défaite
Paul Bléton
2006· article· fr· Études françaises· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affunlabeled
•« Annie Ernaux écrivaine-chercheuse »
Violaine Houdart-Merot
2023· article· fr· HAL (Le Centre pour la Communication Scientifique Directe)· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affunlabeled
Gremlins. Petite tératogonie de l’ère Reagan
Sébastien Hubier, Antonio Domínguez Leiva
2023· book· fr· HAL (Le Centre pour la Communication Scientifique Directe)· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affunlabeled
Francesco Rosi, un cinéaste de l'énergie
Philippe Ragel
2022· article· fr· HAL (Le Centre pour la Communication Scientifique Directe)· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affunlabeled
Les Bouchons : une aventure entrepreneuriale
Sabrina Hombourger-Barès, Franck Barès, C Beaucage
2022· article· fr· HAL (Le Centre pour la Communication Scientifique Directe)· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
Alexandre Zinoview. Le théâtre de la guerre
Alexandre Sumpf, Cécile Pichon-Bonin
2018· book· fr· HAL (Le Centre pour la Communication Scientifique Directe)· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations

How this was built: Screen · Findings · About