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4,299,418 works, Canadian by any of four routes.

Every filter state is a URL; the URL is the query; the query is citable via /q/⟨hash⟩. The page, the API and the export parse the same parameters.

The current cohort, streamed from the database: every work column, the machine labels, the provisional scores, and the per-row validation status. Exports are capped at 100,000 rows. Mints a permanent /q/ link for this exact query. The same filters always produce the same link, whoever asks.

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Cultural Industries and Urban Development
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Direct Codex and Gemma labels are unvalidated and sparse. Distilled predictions cover the full frame and are also unvalidated. Choose the evidence source explicitly; absence of a direct label is never a negative label.

affaffiliation
fundfunder
venuejournal
aboutaboutness

The four routes compose: require the funder route and exclude affiliation to get the funder-only stratum no affiliation-based frame ever sees.

2,719 results · 1 filter active ·
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20002025
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Machine labels · sparse coverage
Evidence
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An unlabeled work is unknown, not a negative. Label coverage is reported on every query.
2,719 works in the cohort · of 4,299,418page 38 of 55

Labels cover 10 of 2,719 works in this cohort. The rest are unlabeled, which is not a negative label: the label table is sparse today and grows as labeling rounds land.

Distilled predictions cover 2,719 of 2,719 works in this cohort. Predictions are machine_predicted_unvalidated. The Gemma side is a direct model label for every work (title-only); the Codex side is a distilled, calibrated classifier. Candidate is the union; consensus is the intersection.

venueaboutno affunlabeled
Direction and Desire
Mary Elizabeth Luka, Robin Sokoloski
2025· article· en· Culture and Local Governance· Social Sciences
machine prediction:candidate · noneconsensus · none
0
citations
venueaboutno affunlabeled
Years of Challenge and Risk
Norman Armour
2015· article· en· Canadian Theatre Review· Social Sciences
machine prediction:candidate · noneconsensus · none
0
citations
venueaboutno affunlabeled
Impulse Archaeology (review)
Karen Mulhallen
2007· article· en· University of Toronto Quarterly· Social Sciences
machine prediction:candidate · noneconsensus · none
0
citations
venueaboutno affunlabeled
That 60s thing
Marcus Miller
2004· article· en· Canadian Medical Association Journal· Social Sciences
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
affunlabeled
Economia criativa: um olhar cronológico
Jefferson Yuji Watanabe, Larissa de Moraes Barbosa Borges, Luciana Lima Guilherme
2024· article· pt· Diálogo com a Economia Criativa· Social Sciences
machine prediction:candidate · noneconsensus · none
0
citations
affunlabeled
Media and Content in an Active Economy
Cheri L. Bradish, Nick Burton
2021· book-chapter· en· Advances in finance, accounting, and economics book series· Social Sciences
machine prediction:candidate · noneconsensus · none
0
citations
venueaboutno affunlabeled
The Experience of Imaginary Ordinary
Andrew Houston
2011· article· en· Canadian Theatre Review· Social Sciences
machine prediction:candidate · noneconsensus · none
0
citations
affunlabeled
Learning Informally
Maxwell Godwin Openjuru Ladaah, George Ladaah Openjuru, Kathy Sanford, Bruno de Oliveira Jayme, David H. Monk
2022· article· en· ENGAGE!· Social Sciences
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
Book Reviews
Cédric Courtois, Jock Given, Robert G. Picard
2014· article· en· International Journal of Digital Television· Social Sciences
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
affunlabeled
Holding “The Arts” at Bay: A Response
Rubén Gaztambide‐Fernández
2020· article· en· Journal of Curriculum Theorizing· Social Sciences
machine prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
Artwork:
Amy E. Kline
2019· article· en· USURJ University of Saskatchewan Undergraduate Research Journal· Social Sciences
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations

How this was built: Screen · Findings · About