MétaCan
Menu
Cohort builder

4,299,418 works, Canadian by any of four routes.

Every filter state is a URL; the URL is the query; the query is citable via /q/⟨hash⟩. The page, the API and the export parse the same parameters.

The current cohort, streamed from the database: every work column, the machine labels, the provisional scores, and the per-row validation status. Exports are capped at 100,000 rows. Mints a permanent /q/ link for this exact query. The same filters always produce the same link, whoever asks.

Search term
Author
Year range
→
Sort
Language
Type
Field
Venue
Topic
Theatre and Performance Studies
Retraction
Abstract
Evidence source
Study design
Label agreement
Label status

Direct Codex and Gemma labels are unvalidated and sparse. Distilled predictions cover the full frame and are also unvalidated. Choose the evidence source explicitly; absence of a direct label is never a negative label.

affaffiliation
fundfunder
venuejournal
aboutaboutness

The four routes compose: require the funder route and exclude affiliation to get the funder-only stratum no affiliation-based frame ever sees.

2,690 results · 1 filter active ·
Results by year
20002025
Publication date
Categories
Machine labels · sparse coverage
Evidence
Language
Type
Citations
An unlabeled work is unknown, not a negative. Label coverage is reported on every query.
2,690 works in the cohort · of 4,299,418page 42 of 54

Labels cover 2 of 2,690 works in this cohort. The rest are unlabeled, which is not a negative label: the label table is sparse today and grows as labeling rounds land.

Distilled predictions cover 2,690 of 2,690 works in this cohort. Predictions are machine_predicted_unvalidated. The Gemma side is a direct model label for every work (title-only); the Codex side is a distilled, calibrated classifier. Candidate is the union; consensus is the intersection.

aboutno affunlabeled
it is this it is this, it is this
Laura Edbrook, Sarah Forrest
2016· book-chapter· en· RADAR (Glasgow School of Art)· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
aboutno affunlabeled
Full Houses: Staging Drama in an Historic Mansion
Paul Davies
2011· article· en· Queensland's institutional digital repository (The University of Queensland)· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
Where Is Theatre Going?
Laura Levin, EmmaRose MacDonald
2015· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
Selected Drama and Verse
Franciszka Urszula Radziwiłłowa, P. Corness, Barbara Judkowiak, Aldona Zwierzyńska-Coldicott, Rosalind Kerr
2017· article· en· Renaissance and Reformation· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
Inset forms of art in the plays of Philip Massinger
Joanne Rochester
2000· dissertation· en· Library and Archives Canada (Government of Canada)· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affunlabeled
BOOK REVIEWS
Eberhard Bort, David J. Galbreath, Jackie Hogan, John Keefe
2009· article· en· National Identities· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · insufficient_payload
0
citations
aboutno affunlabeled
In the Modern Age
Kim Solga
2017· book· en· Bloomsbury Academic eBooks· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
Review: The Journal of Dramaturgy, volume 20, 2009/2010
Jonathan L. Chambers, Geoff Proehl, Cathy Turner, Synne Behrndt, Sydney Cheek‐O'Donnell, Gina Pisasale +5 more
2010· article· en· Sound Ideas (University of Puget Sound)· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
Two Hearts that Beat as Two, a villanelle
Jennifer Jeremiah
2012· article· en· Postcolonial text· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueaboutno affunlabeled
Artists and Communities
Julie Salverson
2011· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
Travelling with Harriet's House
Tara Goldstein
2013· article· en· TSpace (University of Toronto)· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
Drama
Nancy Copeland
2008· article· en· University of Toronto Quarterly· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
The House on Lippincott
Mark Federman
2006· article· en· Canadian women's studies· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
venueno affno abstractunlabeled
Money, Money: Is Theatre a Rich Man's Game?
Robin Breon
2011· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
Of Walls and Veils
Rumina Sethi
2005· article· en· Postcolonial text· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations

How this was built: Screen · Findings · About