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4,299,418 works, Canadian by any of four routes.

Every filter state is a URL; the URL is the query; the query is citable via /q/⟨hash⟩. The page, the API and the export parse the same parameters.

The current cohort, streamed from the database: every work column, the machine labels, the provisional scores, and the per-row validation status. Exports are capped at 100,000 rows. Mints a permanent /q/ link for this exact query. The same filters always produce the same link, whoever asks.

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Intersections Canadian Journal of Music
Topic
Retraction
Abstract
Evidence source
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Label agreement
Label status

Direct Codex and Gemma labels are unvalidated and sparse. Distilled predictions cover the full frame and are also unvalidated. Choose the evidence source explicitly; absence of a direct label is never a negative label.

affaffiliation
fundfunder
venuejournal
aboutaboutness

The four routes compose: require the funder route and exclude affiliation to get the funder-only stratum no affiliation-based frame ever sees.

519 results · 1 filter active ·
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20002023
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Categories
Machine labels · sparse coverage
Evidence
Language
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An unlabeled work is unknown, not a negative. Label coverage is reported on every query.
519 works in the cohort · of 4,299,418page 6 of 11

Labels cover 1 of 519 works in this cohort. The rest are unlabeled, which is not a negative label: the label table is sparse today and grows as labeling rounds land.

Distilled predictions cover 519 of 519 works in this cohort. Predictions are machine_predicted_unvalidated teacher distillation outputs. Candidate is the union; consensus is the intersection.

venueno affno abstractunlabeled
Éditorial
Ariane Couture, Paul Sanden
2020· article· fr· Intersections Canadian Journal of Music
distilled prediction:candidate · metaepi_narrow+insufficient_payloadconsensus · insufficient_payload
0
citations
venueno affno abstractunlabeled
La musique populaire : vers une économie du don
Sophie Stévance
2010· article· fr· Intersections Canadian Journal of Music· Arts and Humanities
distilled prediction:candidate · insufficient_payloadconsensus · none
0
citations
venueno affno abstractunlabeled
Analytical Approaches to World Music 1, no. 1.
Michael B. MacDonald
2010· article· en· Intersections Canadian Journal of Music· Arts and Humanities
distilled prediction:candidate · insufficient_payloadconsensus · insufficient_payload
0
citations
venueno affunlabeled
George et Ira Gershwin. 2000. Pardon My English: Vocal Score. Édité par Steven D. Bowen. Paroles et musique de George et Ira Gershwin. Livret de Herbert Fields et Morrie Ryskind. Miami, Floride : Warner Bros Music Corp. xxiii, 357 p. ISBN 0-7692-9201-1, ISBN 978-0-7692-9201-4 (couverture rigide).
Luc Bellemare
2007· article· fr· Intersections Canadian Journal of Music· Arts and Humanities
distilled prediction:candidate · metaepi_narrow+sts+research_integrity+insufficient_payloadconsensus · metaepi_narrow+research_integrity
0
citations
venueno affunlabeled
Euler et les réseaux harmoniques
Franck Jedrzejewski
2010· article· fr· Intersections Canadian Journal of Music· Social Sciences
distilled prediction:candidate · insufficient_payloadconsensus · none
0
citations
venueno affunlabeled
Brian Cherney’s Illuminations
David Adamcyk
2019· article· en· Intersections Canadian Journal of Music· Computer Science
distilled prediction:candidate · noneconsensus · none
0
citations
venueaboutno affunlabeled
Barnardo Boys
Robin Elliott
2008· article· en· Intersections Canadian Journal of Music· Social Sciences
distilled prediction:candidate · sts+insufficient_payloadconsensus · none
0
citations
venueno affunlabeled
Alban Berg’s Lulu as a Foucauldian Heterotopia
Vanja Ljubibratić
2023· article· en· Intersections Canadian Journal of Music· Social Sciences
distilled prediction:candidate · insufficient_payloadconsensus · none
0
citations
venueaboutno affunlabeled
Report—Centre and periphery, roots and exile: Interpreting the music of István Anhalt and György Kurtág. Centre et périphérie, racines et exil : L’interprétation de la musique d’István Anhalt et de György Kurtág. Rozsa Centre, University of Calgary January 22–25 janvier, 2008
Friedemann Sallis
2008· article· fr· Intersections Canadian Journal of Music· Arts and Humanities
distilled prediction:candidate · metaepi_narrow+insufficient_payloadconsensus · none
0
citations
venueno affunlabeled
Samba : entre musique, danse et carnaval
Grégoire Niehaus
2010· article· fr· Intersections Canadian Journal of Music· Social Sciences
distilled prediction:candidate · insufficient_payloadconsensus · none
0
citations
venueaboutno affunlabeled
The Present State of Unpopular Music
John Beckwith
2012· article· en· Intersections Canadian Journal of Music· Arts and Humanities
distilled prediction:candidate · insufficient_payloadconsensus · none
0
citations
venueno affunlabeled
Two-Part Transition or Two-Part Subordinate Theme?
Carl Kristian Wiens
2012· article· en· Intersections Canadian Journal of Music· Arts and Humanities
distilled prediction:candidate · insufficient_payloadconsensus · none
0
citations
venueaboutno affunlabeled
National Survey on Music Practices in Canada
2022· article· fr· Intersections Canadian Journal of Music· Arts and Humanities
distilled prediction:candidate · insufficient_payloadconsensus · none
0
citations
venueno affunlabeled
Le son généreux [pour une hyper-écoute]
Chantale Laplante
2012· article· fr· Intersections Canadian Journal of Music· Computer Science
distilled prediction:candidate · noneconsensus · none
0
citations

How this was built: Screen · Findings · About