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4,299,418 works, Canadian by any of four routes.

Every filter state is a URL; the URL is the query; the query is citable via /q/⟨hash⟩. The page, the API and the export parse the same parameters.

The current cohort, streamed from the database: every work column, the machine labels, the provisional scores, and the per-row validation status. Exports are capped at 100,000 rows. Mints a permanent /q/ link for this exact query. The same filters always produce the same link, whoever asks.

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Music History and Culture
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Direct Codex and Gemma labels are unvalidated and sparse. Distilled predictions cover the full frame and are also unvalidated. Choose the evidence source explicitly; absence of a direct label is never a negative label.

affaffiliation
fundfunder
venuejournal
aboutaboutness

The four routes compose: require the funder route and exclude affiliation to get the funder-only stratum no affiliation-based frame ever sees.

1,825 results · 1 filter active ·
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20002025
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Machine labels · sparse coverage
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An unlabeled work is unknown, not a negative. Label coverage is reported on every query.
1,825 works in the cohort · of 4,299,418page 9 of 37

Labels cover 2 of 1,825 works in this cohort. The rest are unlabeled, which is not a negative label: the label table is sparse today and grows as labeling rounds land.

Distilled predictions cover 1,825 of 1,825 works in this cohort. Predictions are machine_predicted_unvalidated teacher distillation outputs. Candidate is the union; consensus is the intersection.

affunlabeled
Introduction
Nicole Biamonte
2011· article· en· Music Theory Online· Arts and Humanities
distilled prediction:candidate · insufficient_payloadconsensus · none
2
citations
venueno affunlabeled
Queer Perspectives in New Music
Gabriel Dharmoo, Annette Brosin, Luke Nickel, Emily Doolittle, Symon Henry, Teiya Kasahara 笠原 貞野
2021· article· en· Circuit Musiques contemporaines· Arts and Humanities
distilled prediction:candidate · insufficient_payloadconsensus · none
2
citations
venueno affunlabeled
Subculture Theory and the Fetishism of Style
Benjamin Woo
2009· article· en· Stream Interdisciplinary Journal of Communication· Arts and Humanities
distilled prediction:candidate · noneconsensus · none
2
citations
aboutno affunlabeled
Ons BARNAT : Le studio d’enregistrement comme lieu d’expérimentation, outil créatif et vecteur d’internationalisation. Stonetree Records et la paranda garifuna en Amérique centrale. Thèse de doctorat en ethnomusicologie, soutenue le 22 novembre 2012 à l’Université de Montréal.
Ons Barnat
2013· article· fr· Cahiers d’ethnomusicologie. Anciennement Cahiers de musiques traditionnelles· Arts and Humanities
distilled prediction:candidate · metaepi_narrow+sts+research_integrity+insufficient_payloadconsensus · sts+research_integrity
2
citations
affunlabeled
“A Golden Age of Audio”
Christina Baade
2024· book-chapter· en· Oxford University Press eBooks· Arts and Humanities
distilled prediction:candidate · insufficient_payloadconsensus · none
2
citations
affunlabeled
Triumph of the maggots?
Hélène Laurin
2012· article· en· Popular Music History· Arts and Humanities
distilled prediction:candidate · insufficient_payloadconsensus · none
2
citations
aboutno affno abstractunlabeled
Sound Containers: Recent Sound Art in Toronto
Randy Gagne
2009· article· en· The Senses and Society· Arts and Humanities
distilled prediction:candidate · insufficient_payloadconsensus · none
2
citations
aboutno affunlabeled
International Country Music
Nathan D. Gibson
2014· article· en· Journal of American Folklore· Arts and Humanities
distilled prediction:candidate · insufficient_payloadconsensus · none
2
citations
affaboutunlabeled
Towards a pedagogy of deviance
Myrtle D. Millares
2019· article· en· Journal of Popular Music Education· Arts and Humanities
distilled prediction:candidate · insufficient_payloadconsensus · none
2
citations

How this was built: Screen · Findings · About