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4,299,418 works, Canadian by any of four routes.

Every filter state is a URL; the URL is the query; the query is citable via /q/⟨hash⟩. The page, the API and the export parse the same parameters.

The current cohort, streamed from the database: every work column, the machine labels, the provisional scores, and the per-row validation status. Exports are capped at 100,000 rows. Mints a permanent /q/ link for this exact query. The same filters always produce the same link, whoever asks.

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New Interfaces for Musical Expression
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Direct Codex and Gemma labels are unvalidated and sparse. Distilled predictions cover the full frame and are also unvalidated. Choose the evidence source explicitly; absence of a direct label is never a negative label.

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The four routes compose: require the funder route and exclude affiliation to get the funder-only stratum no affiliation-based frame ever sees.

19 results · 1 filter active ·
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20052019
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Machine labels · sparse coverage
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An unlabeled work is unknown, not a negative. Label coverage is reported on every query.
19 works in the cohort · of 4,299,418page 1 of 1

Labels cover 0 of 19 works in this cohort. The rest are unlabeled, which is not a negative label: the label table is sparse today and grows as labeling rounds land.

Distilled predictions cover 19 of 19 works in this cohort. Predictions are machine_predicted_unvalidated. The Gemma side is a direct model label for every work (title-only); the Codex side is a distilled, calibrated classifier. Candidate is the union; consensus is the intersection.

affunlabeled
What Does `Evaluationź Mean for the NIME Community?
Jerônimo Barbosa, Joseph Malloch, Marcelo M. Wanderley, Stéphane Huot
2015· article· en· New Interfaces for Musical Expression· Social Sciences
machine prediction:candidate · metaresearchconsensus · metaresearch
20
citations
affunlabeled
The Sponge A Flexible Interface
Martin Marier
2010· article· en· New Interfaces for Musical Expression· Computer Science
machine prediction:candidate · noneconsensus · none
10
citations
affunlabeled
Bowing a vibration-enhanced force feedback device
M. Giordano, Stephen Sinclair, Marcelo M. Wanderley
2012· article· en· New Interfaces for Musical Expression· Neuroscience
machine prediction:candidate · noneconsensus · none
4
citations
affunlabeled
Snare Drum Motion Capture Dataset
Robert Van Rooyen, Andrew Schloss, George Tzanetakis
2015· article· en· New Interfaces for Musical Expression· Computer Science
machine prediction:candidate · noneconsensus · none
1
citations
affunlabeled
Womba: A Musical Instrument for an Unborn Child
Aura Pon, Johnty Wang, Laurie Radford, Sheelagh Carpendale
2015· article· en· New Interfaces for Musical Expression· Neuroscience
machine prediction:candidate · noneconsensus · none
1
citations
affno abstractunlabeled
Voice coil actuators for percussion robotics.
Robert Van Rooyen, Andrew Schloss, George Tzanetakis
2017· article· en· New Interfaces for Musical Expression· Computer Science
machine prediction:candidate · noneconsensus · none
1
citations
affno abstractunlabeled
The Digital Orchestra Toolbox for Max
Joseph Malloch, Marlon Mario Schumacher, Stephen Sinclair, Marcelo M. Wanderley
2018· article· en· New Interfaces for Musical Expression· Computer Science
machine prediction:candidate · noneconsensus · none
0
citations
affno abstractunlabeled
A Responsive User Body Suit (RUBS)
Kiran Bhumber, Bob Pritchard, Kitty Rodé
2017· article· en· New Interfaces for Musical Expression· Computer Science
machine prediction:candidate · noneconsensus · none
0
citations

How this was built: Screen · Findings · About