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4,299,418 works, Canadian by any of four routes.

Every filter state is a URL; the URL is the query; the query is citable via /q/⟨hash⟩. The page, the API and the export parse the same parameters.

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The current cohort, streamed from the database: every work column, the machine labels, the provisional scores, and the per-row validation status. Exports are capped at 100,000 rows. Mints a permanent /q/ link for this exact query. The same filters always produce the same link, whoever asks.

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Music History and Culture
Retraction
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Direct Codex and Gemma labels are unvalidated and sparse. Distilled predictions cover the full frame and are also unvalidated. Choose the evidence source explicitly; absence of a direct label is never a negative label.

affaffiliation
fundfunder
venuejournal
aboutaboutness

The four routes compose: require the funder route and exclude affiliation to get the funder-only stratum no affiliation-based frame ever sees.

1,825 results · 1 filter active ·
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20002025
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Machine labels · sparse coverage
Evidence
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An unlabeled work is unknown, not a negative. Label coverage is reported on every query.
1,825 works in the cohort · of 4,299,418page 19 of 37

Labels cover 2 of 1,825 works in this cohort. The rest are unlabeled, which is not a negative label: the label table is sparse today and grows as labeling rounds land.

Distilled predictions cover 1,825 of 1,825 works in this cohort. Predictions are machine_predicted_unvalidated. The Gemma side is a direct model label for every work (title-only); the Codex side is a distilled, calibrated classifier. Candidate is the union; consensus is the intersection.

affunlabeled
Ping-Pong and Its Discontents
2023· book-chapter· en· Cambridge University Press eBooks· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
Kylie, a museum and music journalism
Charlie Beckett
2007· other· en· London School of Economics and Political Science Research Online (London School of Economics and Political Science)· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
Experiencing Rush
Durrell Bowman
2014· book· Rowman & Littlefield Publishers eBooks· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affvenueunlabeled
Connective Tissues
Kevin McNeilly, Julie Dawn Smith
2008· article· en· Critical Studies in Improvisation / Études critiques en improvisation· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
The Commercial Imperative
Kathryn H. Fuller‐Seeley
2017· book-chapter· en· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affno abstractunlabeled
The Barrie Band:
2022· book-chapter· McGill-Queen's University Press eBooks· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affunlabeled
Singing Life: Hip Hop in the City
2024· book-chapter· en· Cambridge University Press eBooks· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affaboutunlabeled
Contributors’ Notes
Morgan Bimm, Anjuli Joshi Brekke
2023· article· en· Journal of Popular Music Studies· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
aboutno affunlabeled
Miúcha
Ray Boucher
2024· article· Educational Media Reviews Online· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affno abstractunlabeled
Urban Youth and Musical Worlds
2024· book-chapter· en· Cambridge University Press eBooks· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affunlabeled
Introduction
2023· book-chapter· en· Cambridge University Press eBooks· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
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How this was built: Screen · Findings · About