MétaCan
Menu
Cohort builder

4,299,418 works, Canadian by any of four routes.

Every filter state is a URL; the URL is the query; the query is citable via /q/⟨hash⟩. The page, the API and the export parse the same parameters.

The current cohort, streamed from the database: every work column, the machine labels, the provisional scores, and the per-row validation status. Exports are capped at 100,000 rows. Mints a permanent /q/ link for this exact query. The same filters always produce the same link, whoever asks.

Search term
Author
Year range
Sort
Language
Type
Field
Venue
Topic
Musicology and Musical Analysis
Retraction
Abstract
Evidence source
Study design
Label agreement
Label status

Direct Codex and Gemma labels are unvalidated and sparse. Distilled predictions cover the full frame and are also unvalidated. Choose the evidence source explicitly; absence of a direct label is never a negative label.

affaffiliation
fundfunder
venuejournal
aboutaboutness

The four routes compose: require the funder route and exclude affiliation to get the funder-only stratum no affiliation-based frame ever sees.

1,833 results · 1 filter active ·
Results by year
20002025
Publication date
Categories
Machine labels · sparse coverage
Evidence
Language
Type
Citations
An unlabeled work is unknown, not a negative. Label coverage is reported on every query.
1,833 works in the cohort · of 4,299,418page 2 of 37

Labels cover 1 of 1,833 works in this cohort. The rest are unlabeled, which is not a negative label: the label table is sparse today and grows as labeling rounds land.

Distilled predictions cover 1,833 of 1,833 works in this cohort. Predictions are machine_predicted_unvalidated. The Gemma side is a direct model label for every work (title-only); the Codex side is a distilled, calibrated classifier. Candidate is the union; consensus is the intersection.

venueno affunlabeled
L’impact et l’éthique du savoir musical
Kay Kaufman Shelemay
2010· article· fr· Les Cahiers de la Société québécoise de recherche en musique· Arts and Humanities
machine prediction:candidate · noneconsensus · none
16
citations
affunlabeled
Criteria for Analysis
William E. Caplin
2012· book-chapter· en· Oxford University Press eBooks· Arts and Humanities
machine prediction:candidate · noneconsensus · none
15
citations
affunlabeled
Debussy and Japanese Prints
Michel Duchesneau
2018· book-chapter· en· Arts and Humanities
machine prediction:candidate · noneconsensus · none
14
citations
aboutno affunlabeled
Shostakovich's ballets
Marina Ilichova
2008· book-chapter· en· Cambridge University Press eBooks· Arts and Humanities
machine prediction:candidate · noneconsensus · none
14
citations
venueno affunlabeled
Khyal, Improvisation, and Social Change
Wasanti Paranjape
2012· article· en· Critical Studies in Improvisation / Études critiques en improvisation· Arts and Humanities
machine prediction:candidate · noneconsensus · none
13
citations
affunlabeled
Modernist Opera’s Stigmatized Subjects
Sherry D. Lee
2016· book· en· Oxford University Press eBooks· Arts and Humanities
machine prediction:candidate · noneconsensus · none
13
citations
affaboutunlabeled
Domenico Scarlatti's 'tremulo'
C. Sloane
2002· article· en· Early Music· Arts and Humanities
machine prediction:candidate · noneconsensus · none
12
citations
affunlabeled
Metaphors for Meyerbeer
Cormac Newark
2002· article· en· Journal of the Royal Musical Association· Arts and Humanities
machine prediction:candidate · noneconsensus · none
11
citations
fundno affunlabeled
Fictionalism about musical works
Anton Killin
2017· article· en· Canadian Journal of Philosophy· Arts and Humanities
machine prediction:candidate · noneconsensus · none
11
citations
aboutno affunlabeled
Explorations in Schenkerian Analysis
2016· book· en· Boydell and Brewer eBooks· Arts and Humanities
machine prediction:candidate · noneconsensus · none
10
citations
affunlabeled
A History of Western Philosophy of Music
James O. Young
2023· book· en· Cambridge University Press eBooks· Arts and Humanities
machine prediction:candidate · noneconsensus · none
9
citations
venueno affunlabeled
Jam Sessions
Max Suechting, Jonathan Leal
2020· article· en· Critical Studies in Improvisation / Études critiques en improvisation· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · none
8
citations
venueno affunlabeled
Pourquoi composer de la musique monodique
José Evangelista
2010· article· fr· Circuit Musiques contemporaines· Arts and Humanities
machine prediction:candidate · noneconsensus · none
8
citations
affunlabeled
Charting the Score in a Multimedia Context
Nicolas Donin, Jonathan Goldman
2008· article· en· Music Theory Online· Arts and Humanities
machine prediction:candidate · noneconsensus · none
8
citations
affunlabeled
Bruno Maderna’s Serial Arrays
Christoph Neidhöfer
2007· article· en· Music Theory Online· Arts and Humanities
machine prediction:candidate · noneconsensus · none
7
citations
affunlabeled
Hunt, Military, and Pastoral Topics
Andrew Haringer
2014· book· en· Oxford University Press eBooks· Arts and Humanities
machine prediction:candidate · noneconsensus · none
7
citations
affunlabeled
Moving Through Triadic Space
Scott Alexander Cook
2009· article· en· Music Theory Online· Arts and Humanities
machine prediction:candidate · noneconsensus · none
7
citations

How this was built: Screen · Findings · About