MétaCan
Menu
Cohort builder

4,299,418 works, Canadian by any of four routes.

Every filter state is a URL; the URL is the query; the query is citable via /q/⟨hash⟩. The page, the API and the export parse the same parameters.

The current cohort, streamed from the database: every work column, the machine labels, the provisional scores, and the per-row validation status. Exports are capped at 100,000 rows. Mints a permanent /q/ link for this exact query. The same filters always produce the same link, whoever asks.

Search term
Author
Year range
Sort
Language
Type
Field
Venue
Topic
Musicology and Musical Analysis
Retraction
Abstract
Evidence source
Study design
Label agreement
Label status

Direct Codex and Gemma labels are unvalidated and sparse. Distilled predictions cover the full frame and are also unvalidated. Choose the evidence source explicitly; absence of a direct label is never a negative label.

affaffiliation
fundfunder
venuejournal
aboutaboutness

The four routes compose: require the funder route and exclude affiliation to get the funder-only stratum no affiliation-based frame ever sees.

1,833 results · 1 filter active ·
Results by year
20002025
Publication date
Categories
Machine labels · sparse coverage
Evidence
Language
Type
Citations
An unlabeled work is unknown, not a negative. Label coverage is reported on every query.
1,833 works in the cohort · of 4,299,418page 33 of 37

Labels cover 1 of 1,833 works in this cohort. The rest are unlabeled, which is not a negative label: the label table is sparse today and grows as labeling rounds land.

Distilled predictions cover 1,833 of 1,833 works in this cohort. Predictions are machine_predicted_unvalidated. The Gemma side is a direct model label for every work (title-only); the Codex side is a distilled, calibrated classifier. Candidate is the union; consensus is the intersection.

affunlabeled
Circle of Willis
Sean Neill, William Simpson, Andrew Davies, Peter Frank, Simon Maguire, Milo Engoren
2017· book-chapter· en· Cambridge University Press eBooks· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affunlabeled
crab-mru-domain-artifact
2024· other· en· Zenodo (CERN European Organization for Nuclear Research)· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
aboutno affunlabeled
Two Orchestral Songs
Jonathan Scott Brubacher
2012· article· en· TSpace (University of Toronto)· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affno abstractunlabeled
Weinek, Ladislaus
Thomas Hockey, Virginia Trimble, Thomas R. Williams, Katherine Bracher, Richard A. Jarrell, Jordan D. Marché +2 more
2014· book-chapter· en· Biographical Encyclopedia of Astronomers· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
Briefly Noted
Rick Anderson
2006· article· en· Notes· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
aboutno affunlabeled
Canadian Stage Coaches
Anna Jameson
2011· book-chapter· en· Cambridge University Press eBooks· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
affunlabeled
The Instrumental: dative and its double
Ludovico Franco, M. Rita Manzini
2016· article· en· Florence Research (University of Florence)· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
A Forum for the Practice of Musicology in Ireland
Helen Gubbins, Sarah O'Halloran, Daithí Kearney, Anne M Dore, Emily Magner, Estelle Murphy
2008· article· en· MURAL - Maynooth University Research Archive Library (National University of Ireland, Maynooth)· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affunlabeled
Near lower critical dimension
Igor F. Herbut
2007· book-chapter· en· Cambridge University Press eBooks· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
Modernism after Wagner (review)
Joy H. Calico
2011· article· en· Modern Drama· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
Les violons de Sainte-Geneviève, 2
2018· article· fr· OpenEdition (OpenEdition)· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
Concerto in D Minor, Andre No. 1, for Oboe and Orchestra, and: Concerto in D Minor, Andre No. 1 (arr.), for Oboe and Orchestra, and: Concerto in G Minor, Andre No. 2, for Oboe and Orchestra, and: Concerto in G Minor, Andre No. 2 (arr.), for Oboe and Orchestra, and: Concerto in C Major, Andre No. 3, for Oboe and Orchestra, and: Concerto in C Major, Andre No. 3 (arr.), for Oboe and Orchestra, and: Concerto in B-Flat Major, Andre No. 4, for Oboe and Orchestra, and: Concerto in B-Flat Major, Andre No. 4 (arr.), for Oboe and Orchestra, and: Concerto in C Major, Andre No. 5, for Oboe and Orchestra, and: Concerto in C Major, Andre No. 5 (arr.), for Oboe and Orchestra, and: Concerto in F Major, Andre No. 6, for Oboe and Orchestra, and: Concerto in F Major, Andre No. 6 (arr.), for Oboe and Orchestra, and: Concerto in G Major, Sieber No. 1, for Flute and Orchestra, and: Concerto in G Major, Sieber No. 1 (arr.), for Flute and Orchestra, and: Concerto in F Major, Sieber No. 1a, for Oboe and Orchestra, and: Concerto in F Major, Sieber No. 1a (arr.), for Oboe and Orchestra, and: Concerto in C Major, Sieber No. 2, for Oboe and Orchestra, and: Concerto in C Major, Sieber No. 2 (arr.), for Oboe and Orchestra, and: Concerto in F Major, Sieber No. 3, for Oboe and Orchestra, and: Concerto in F Major, Sieber No. 3 (arr.), for Oboe and Orchestra, and: Concerto in C Major, Sieber No. 4, for Oboe and Orchestra, and: Concerto in C Major, Sieber No. 4 [(arr.)], for Oboe and Orchestra, and: Concerto in G Major, Sieber No. 6, for Flute and Orchestra, and: Concerto in G Major, Sieber No. 6 (arr.), for Flute and Orchestra, and: Concerto in F Major, Sieber No. 6a, for Oboe and Orchestra, and: Concerto in F Major, Sieber No. 6a (arr.), for Oboe and Orchestra, and: Concerto in F Major, Sieber No. 7, for Oboe and Orchestra, and: Concerto in F Major, Sieber No. 7 (arr.), for Oboe and Orchestra (review)
oboist Burgess Geoffrey
2005· article· en· Notes· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
aboutno affunlabeled
Composition recital
2010· article· en· cIRcle (University of British Columbia)· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations

How this was built: Screen · Findings · About