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4,299,418 works, Canadian by any of four routes.

Every filter state is a URL; the URL is the query; the query is citable via /q/⟨hash⟩. The page, the API and the export parse the same parameters.

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The current cohort, streamed from the database: every work column, the machine labels, the provisional scores, and the per-row validation status. Exports are capped at 100,000 rows. Mints a permanent /q/ link for this exact query. The same filters always produce the same link, whoever asks.

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Museums and Cultural Heritage
Retraction
Abstract
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Direct Codex and Gemma labels are unvalidated and sparse. Distilled predictions cover the full frame and are also unvalidated. Choose the evidence source explicitly; absence of a direct label is never a negative label.

affaffiliation
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venuejournal
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The four routes compose: require the funder route and exclude affiliation to get the funder-only stratum no affiliation-based frame ever sees.

1,550 results · 1 filter active ·
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20002025
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Machine labels · sparse coverage
Evidence
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An unlabeled work is unknown, not a negative. Label coverage is reported on every query.
1,550 works in the cohort · of 4,299,418page 14 of 31

Labels cover 2 of 1,550 works in this cohort. The rest are unlabeled, which is not a negative label: the label table is sparse today and grows as labeling rounds land.

Distilled predictions cover 1,550 of 1,550 works in this cohort. Predictions are machine_predicted_unvalidated. The Gemma side is a direct model label for every work (title-only); the Codex side is a distilled, calibrated classifier. Candidate is the union; consensus is the intersection.

aboutno affunlabeled
The invisible author
Paul Henley
2020· book-chapter· en· Manchester University Press eBooks· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
Talk in banquet session
Myer Bloom
2014· article· en· cIRcle (University of British Columbia)· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · insufficient_payload
0
citations
aboutno affunlabeled
Introduction
2020· book-chapter· fr· Industrias Culturais (Universidade de Coimbra)· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · insufficient_payload
0
citations
affunlabeled
Sparks of Learning
Marina Mehai
2015· book-chapter· en· SensePublishers eBooks· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affno abstractunlabeled
Trésors du Musée des beaux-arts du Canada
Andrea Kunard, Ann Thomas, Charles C. Hill, Catherine Johnston, Christine Lalonde, David Franklin +16 more
2003· book· fr· E-Artexte (Artexte)· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
Editorial: Issue 116: Collections
2012· article· en· OCAD University Open Research Repository (OCAD University)· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
From museum non-public to free entry publics.
Jacqueline Eidelman, Daniel Jacobi, Jason Luckerhoff
2009· article· en· Loisir et Société / Society and Leisure· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
El público del museo: ¿una incógnita?
María Teresa Estrada Castro
2006· article· es· RdM. Revista de Museología: Publicación científica al servicio de la comunidad museológica· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
To think museology today
Judite Santos Primo
2007· article· en· Americanae (AECID Library)· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affno abstractunlabeled
Historical Museums in Canada
2017· article· en· Project Muse (Johns Hopkins University)· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affaboutunlabeled
De-Constructing Cabinets of Curiosity
Cynthia Wallace-Casey
2017· book-chapter· en· SensePublishers eBooks· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affunlabeled
On the Future of the Bill Reid Gallery
Jason Baird Jackson, George Rammell, Aaron Glass
2009· article· en· Museum Anthropology Review (Indiana University)· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
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