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4,299,418 works, Canadian by any of four routes.

Every filter state is a URL; the URL is the query; the query is citable via /q/⟨hash⟩. The page, the API and the export parse the same parameters.

The current cohort, streamed from the database: every work column, the machine labels, the provisional scores, and the per-row validation status. Exports are capped at 100,000 rows. Mints a permanent /q/ link for this exact query. The same filters always produce the same link, whoever asks.

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Recherches sémiotiques
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Direct Codex and Gemma labels are unvalidated and sparse. Distilled predictions cover the full frame and are also unvalidated. Choose the evidence source explicitly; absence of a direct label is never a negative label.

affaffiliation
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venuejournal
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The four routes compose: require the funder route and exclude affiliation to get the funder-only stratum no affiliation-based frame ever sees.

193 results · 1 filter active ·
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20022023
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Machine labels · sparse coverage
Evidence
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An unlabeled work is unknown, not a negative. Label coverage is reported on every query.
193 works in the cohort · of 4,299,418page 3 of 4

Labels cover 0 of 193 works in this cohort. The rest are unlabeled, which is not a negative label: the label table is sparse today and grows as labeling rounds land.

Distilled predictions cover 193 of 193 works in this cohort. Predictions are machine_predicted_unvalidated teacher distillation outputs. Candidate is the union; consensus is the intersection.

venueno affunlabeled
The Not Immediately Obvious
Frederik Stjernfelt
2005· article· en· Recherches sémiotiques· Arts and Humanities
distilled prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
Paradigmes théoriques et innovation technologique
Dominique Château
2014· article· fr· Recherches sémiotiques· Computer Science
distilled prediction:candidate · metaepi_narrow+scholarly_communicationconsensus · none
0
citations
affvenueunlabeled
Le même et l’autre (bis)
Charles Christophe Leblanc
2013· article· fr· Recherches sémiotiques· Arts and Humanities
distilled prediction:candidate · metaepi_narrow+insufficient_payloadconsensus · insufficient_payload
0
citations
venueno affunlabeled
La musique et l’indescriptible
Miriana Yanakieva
2018· article· fr· Recherches sémiotiques· Computer Science
distilled prediction:candidate · metaepi_narrow+scholarly_communicationconsensus · none
0
citations
venueno affunlabeled
Cameras: Forms of Interaction
Dario Mangano
2010· article· en· Recherches sémiotiques· Arts and Humanities
distilled prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
Music as Text in the Works of Bulgakov
Edna Andrews, Yana Lowry
2018· article· en· Recherches sémiotiques· Social Sciences
distilled prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
Entendre (x) comme (une) oeuvre
Alessandro Arbo
2018· article· fr· Recherches sémiotiques· Computer Science
distilled prediction:candidate · metaepi_narrow+scholarly_communication+insufficient_payloadconsensus · none
0
citations
venueno affno abstractunlabeled
Présentation : Juri M. Lotman
Edna Andrews
2015· article· fr· Recherches sémiotiques· Social Sciences
distilled prediction:candidate · metaepi_narrowconsensus · none
0
citations
venueno affunlabeled
Feintise et travestissement : la BD maquillée
Thierry Groensteen
2017· article· fr· Recherches sémiotiques· Arts and Humanities
distilled prediction:candidate · metaepi_narrow+scholarly_communication+insufficient_payloadconsensus · none
0
citations
affvenueunlabeled
Roland Barthes : une sémiologie en attente
Roland Le Huenen
2020· article· fr· Recherches sémiotiques· Arts and Humanities
distilled prediction:candidate · metaepi_narrow+insufficient_payloadconsensus · insufficient_payload
0
citations
venueno affno abstractunlabeled
Photographie
Jan Baetens, Hilde Van Gelder, Isabella Pezzini
2008· article· fr· Recherches sémiotiques· Arts and Humanities
distilled prediction:candidate · metaepi_narrow+sts+insufficient_payloadconsensus · none
0
citations

How this was built: Screen · Findings · About