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4,299,418 works, Canadian by any of four routes.

Every filter state is a URL; the URL is the query; the query is citable via /q/⟨hash⟩. The page, the API and the export parse the same parameters.

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The current cohort, streamed from the database: every work column, the machine labels, the provisional scores, and the per-row validation status. Exports are capped at 100,000 rows. Mints a permanent /q/ link for this exact query. The same filters always produce the same link, whoever asks.

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Theater, Performance, and Music History
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Label status

Direct Codex and Gemma labels are unvalidated and sparse. Distilled predictions cover the full frame and are also unvalidated. Choose the evidence source explicitly; absence of a direct label is never a negative label.

affaffiliation
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The four routes compose: require the funder route and exclude affiliation to get the funder-only stratum no affiliation-based frame ever sees.

401 results · 1 filter active ·
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20002025
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Machine labels · sparse coverage
Evidence
Language
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An unlabeled work is unknown, not a negative. Label coverage is reported on every query.
401 works in the cohort · of 4,299,418page 7 of 9

Labels cover 0 of 401 works in this cohort. The rest are unlabeled, which is not a negative label: the label table is sparse today and grows as labeling rounds land.

Distilled predictions cover 401 of 401 works in this cohort. Predictions are machine_predicted_unvalidated. The Gemma side is a direct model label for every work (title-only); the Codex side is a distilled, calibrated classifier. Candidate is the union; consensus is the intersection.

aboutno affunlabeled
Shatner
Michael Seth Starr
2019· book· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affunlabeled
Embodied Representation in Staged Opera
Linda Hutcheon, Michael Hutcheon
2018· reference-entry· en· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affno abstractunlabeled
Comedy or Just For Laughs
Ira Nadel
2025· book-chapter· en· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
“I, Too, Can Sing”
Matthew Kennedy
2014· book-chapter· en· Oxford University Press eBooks· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
Orlando and NATS
Donald G. Simonson
2012· article· en· Journal of Singing· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
venueno affunlabeled
Gay McIntyre - a Derry Legend
Frank Lyons
2008· article· en· Canadian journal of comparative medicine and veterinary science· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
Drag Queens in Play
Cassandra M. Collier
2017· book-chapter· en· Semiotics· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
A Letter from Roland Hayes
Mary Enid Haines
2015· letter· en· Journal of Singing· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
Father and Sons
Bruce Vermazen
2009· book-chapter· en· Oxford University Press eBooks· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
Marina City could get landmark status
2015· other· en· Internet Archive (Internet Archive)· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
Yvonne De Carlo (Leyendas)
Jaime Noguera Martín
2002· article· es· Interfilms· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
Whose Voice Is It Anyway
Rachel Griffiths
2017· article· en· Edge Hill University Research Archive· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
venueno affunlabeled
Musical Theater: Genres/Snapshot Introduction
Geoffrey Block
2013· article· en· Sound Ideas (University of Puget Sound)· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
Ellington’s Dark Lady
2010· book-chapter· en· Palgrave Macmillan US eBooks· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
Concordia Discors, Cui Bono?
Sofiul Azam
2006· article· it· Postcolonial text· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
Look Homeward, Angel
Vivian Casper
2014· article· en· ˜The œThomas Wolfe review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affunlabeled
[no title]
Andrea Most, Raymond Knapp
2005· article· en· Journal of American History· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
aboutno affunlabeled
A Tragic Romp?
MARY-KAY GAMEL
2010· article· en· Arion· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affno abstractunlabeled
The Unique Lyrebirds of Sherbrooke
Roy P Cooper
2016· article· en· Australian field ornithology· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
The Runner
Christopher Merrill
2011· article· en· The Journal of Economic Asymmetries· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
"Magic in the Moonlight" de Woody Allen
Jean-Pierre Zarader
2014· article· en· Sens public· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
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