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4,299,418 works, Canadian by any of four routes.

Every filter state is a URL; the URL is the query; the query is citable via /q/⟨hash⟩. The page, the API and the export parse the same parameters.

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The current cohort, streamed from the database: every work column, the machine labels, the provisional scores, and the per-row validation status. Exports are capped at 100,000 rows. Mints a permanent /q/ link for this exact query. The same filters always produce the same link, whoever asks.

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Literature, Musicology, and Cultural Analysis
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Direct Codex and Gemma labels are unvalidated and sparse. Distilled predictions cover the full frame and are also unvalidated. Choose the evidence source explicitly; absence of a direct label is never a negative label.

affaffiliation
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venuejournal
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The four routes compose: require the funder route and exclude affiliation to get the funder-only stratum no affiliation-based frame ever sees.

1,320 results · 1 filter active ·
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20002025
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Machine labels · sparse coverage
Evidence
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An unlabeled work is unknown, not a negative. Label coverage is reported on every query.
1,320 works in the cohort · of 4,299,418page 9 of 27

Labels cover 5 of 1,320 works in this cohort. The rest are unlabeled, which is not a negative label: the label table is sparse today and grows as labeling rounds land.

Distilled predictions cover 1,320 of 1,320 works in this cohort. Predictions are machine_predicted_unvalidated. The Gemma side is a direct model label for every work (title-only); the Codex side is a distilled, calibrated classifier. Candidate is the union; consensus is the intersection.

affvenueunlabeled
Afterword
Cynthia E. Milton
2019· article· fr· Les ateliers de l éthique· Social Sciences
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
Organistes versus ménétriers
J. F. Maxou Heintzen
2025· book-chapter· fr· Presses universitaires de Rennes eBooks· Social Sciences
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
Canadian Choral Music Partnerships
P. Morton Shand
2004· article· en· TSpace (University of Toronto)· Social Sciences
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
And Harmony Abound
Keith William Kinder
2022· book· en· McGill-Queen's University Press eBooks· Social Sciences
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
Close encounters with the ‘Other’
Thibaut Schilt
2023· article· en· Journal of Romance Studies· Social Sciences
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affno abstractgemma · no categorygpt · no categorymodels agree
L’art comme conspiration. Michel de Broin, Machinations, Galerie UQÀM, Montréal, 19 octobre — 24 novembre 2007; Musée national des beaux-arts du Québec, commissaire : Nathalie de Blois, 16 novembre 2006 — 15 avril 2007Michel de Broin, Machinations, Galerie UQÀM, Montréal, 19 octobre — 24 novembre 2007; Musée national des beaux-arts du Québec, commissaire : Nathalie de Blois, 16 novembre 2006 — 15 avril 2007
Jean-Ernest Joos
2008· article· fr· ETC· Social Sciences
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
Trait d’union
Hélène Longval
2021· article· fr· Revue Possibles· Social Sciences
machine prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
(Pro)créer sur la scène contemporaine
Louise Frappier
2023· article· fr· Percées Explorations en arts vivants· Social Sciences
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
Alain Robbe-Grillet: balises pour le XXI <sup>e</sup> siècle <i> Alain Robbe-Grillet: balises pour le XXI <sup>e</sup> siècle </i> . Édité par R <scp>oger-</scp> M <scp>ichel</scp> A <scp>llemand</scp> et C <scp>hristian</scp> M <scp>ilat.</scp> Ottawa: Presses de l'Université d'Ottawa; Paris: Presses Sorbonne Nouvelle, 2010. vi + 572 pp., ill. Pb CAD $49.95; €35.50.
Sylvie Lannegrand
2012· article· fr· French Studies· Social Sciences
machine prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
<i>Centre Mnémo</i>
Pierre Chartrand
2025· article· fr· Rabaska Revue d ethnologie de l Amérique française· Social Sciences
machine prediction:candidate · noneconsensus · none
0
citations
affvenueaboutunlabeled
What’s Been Lost
Trevor Ross
2003· article· en· English studies in Canada· Social Sciences
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affno abstractunlabeled
Déviances et réfractions. Normand Chaurette, Provincetown Playhouse, juillet 1919, j’avais 19 ans, mise en scène, scénographie et vidéo : Carole Nadeau, production Le Pont Bridge, présenté à la Station C, Montréal. 16 - 27 novembre 2004Normand Chaurette, Provincetown Playhouse, juillet 1919, j’avais 19 ans, mise en scène, scénographie et vidéo : Carole Nadeau, production Le Pont Bridge, présenté à la Station C, Montréal. 16 - 27 novembre 2004
Sylvain Campeau
2005· article· fr· ETC· Social Sciences
machine prediction:candidate · noneconsensus · none
0
citations
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How this was built: Screen · Findings · About