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4,299,418 works, Canadian by any of four routes.

Every filter state is a URL; the URL is the query; the query is citable via /q/⟨hash⟩. The page, the API and the export parse the same parameters.

The current cohort, streamed from the database: every work column, the machine labels, the provisional scores, and the per-row validation status. Exports are capped at 100,000 rows. Mints a permanent /q/ link for this exact query. The same filters always produce the same link, whoever asks.

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Artistic and Creative Research
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Direct Codex and Gemma labels are unvalidated and sparse. Distilled predictions cover the full frame and are also unvalidated. Choose the evidence source explicitly; absence of a direct label is never a negative label.

affaffiliation
fundfunder
venuejournal
aboutaboutness

The four routes compose: require the funder route and exclude affiliation to get the funder-only stratum no affiliation-based frame ever sees.

772 results · 1 filter active ·
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20002025
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Machine labels · sparse coverage
Evidence
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An unlabeled work is unknown, not a negative. Label coverage is reported on every query.
772 works in the cohort · of 4,299,418page 1 of 16

Labels cover 1 of 772 works in this cohort. The rest are unlabeled, which is not a negative label: the label table is sparse today and grows as labeling rounds land.

Distilled predictions cover 772 of 772 works in this cohort. Predictions are machine_predicted_unvalidated. The Gemma side is a direct model label for every work (title-only); the Codex side is a distilled, calibrated classifier. Candidate is the union; consensus is the intersection.

affaboutunlabeled
Constructing an artistic identity
Alison L. Bain
2005· article· en· Work Employment and Society· Arts and Humanities
machine prediction:candidate · noneconsensus · none
284
citations
affunlabeled
Poetic Inquiry, 2007-2012
Monica Prendergast
2015· article· en· Qualitative Inquiry· Arts and Humanities
machine prediction:candidate · noneconsensus · none
64
citations
affaboutunlabeled
In and out of the sound studio
Andra McCartney
2003· article· en· Organised Sound· Arts and Humanities
machine prediction:candidate · noneconsensus · none
40
citations
affunlabeled
Diagrams and Cuts
Stephanie Springgay, Zofia Zaliwska
2014· article· en· Culture Studies &#x2194 Critical Methodologies· Arts and Humanities
machine prediction:candidate · noneconsensus · none
38
citations
fundno affno abstractunlabeled
Presenting and Representing Environments
Graham Humphrys, Michael Williams
2005· book· en· ˜The œGeojournal library· Arts and Humanities
machine prediction:candidate · noneconsensus · none
22
citations
afffundunlabeled
Thinking Creatively About Research Writing
Cecile Badenhorst, Cecilia Moloney, Jennifer Dyer, Janna Rosales, M. Murray
2015· book-chapter· en· The WAC Clearinghouse; Parlor Press eBooks· Arts and Humanities
machine prediction:candidate · noneconsensus · none
18
citations
afffundvenueno abstractunlabeled
Arts-Based Research as an Unknowable Text
Stephanie Springgay
2002· article· en· Alberta Journal of Educational Research· Arts and Humanities
machine prediction:candidate · stsconsensus · none
16
citations
affvenueunlabeled
Educating the Creative Imagination:
Austin Clarkson
2005· article· en· Journal of Jungian Scholarly Studies· Arts and Humanities
machine prediction:candidate · noneconsensus · none
9
citations
affvenueaboutunlabeled
Introduction
Natalie Loveless
2015· article· en· RACAR Revue d art canadienne· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · insufficient_payload
8
citations
venueno affunlabeled
Engaged Scholarship and the Arts
Kathy Bishop, Catherine Etmanski, M. Beth Page
2019· article· en· Engaged Scholar Journal Community-Engaged Research Teaching and Learning· Arts and Humanities
machine prediction:candidate · noneconsensus · none
6
citations
aboutno affunlabeled
Norman McLaren
Nichola Dobson
2017· book· en· Bloomsbury Publishing Plc eBooks· Arts and Humanities
machine prediction:candidate · noneconsensus · none
5
citations

How this was built: Screen · Findings · About