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4,299,418 works, Canadian by any of four routes.

Every filter state is a URL; the URL is the query; the query is citable via /q/⟨hash⟩. The page, the API and the export parse the same parameters.

The current cohort, streamed from the database: every work column, the machine labels, the provisional scores, and the per-row validation status. Exports are capped at 100,000 rows. Mints a permanent /q/ link for this exact query. The same filters always produce the same link, whoever asks.

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University of Toronto Quarterly
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Direct Codex and Gemma labels are unvalidated and sparse. Distilled predictions cover the full frame and are also unvalidated. Choose the evidence source explicitly; absence of a direct label is never a negative label.

affaffiliation
fundfunder
venuejournal
aboutaboutness

The four routes compose: require the funder route and exclude affiliation to get the funder-only stratum no affiliation-based frame ever sees.

2,113 results · 1 filter active ·
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20002025
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Machine labels · sparse coverage
Evidence
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An unlabeled work is unknown, not a negative. Label coverage is reported on every query.
2,113 works in the cohort · of 4,299,418page 33 of 43

Labels cover 0 of 2,113 works in this cohort. The rest are unlabeled, which is not a negative label: the label table is sparse today and grows as labeling rounds land.

Distilled predictions cover 2,113 of 2,113 works in this cohort. Predictions are machine_predicted_unvalidated. The Gemma side is a direct model label for every work (title-only); the Codex side is a distilled, calibrated classifier. Candidate is the union; consensus is the intersection.

venueaboutno affunlabeled
‘We are the other, the other is us’
Kim Echlin, Smaro Kamboureli, Hannah McGregor
2013· article· en· University of Toronto Quarterly· Social Sciences
machine prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
Death in Venice and Beyond: Benjamin Britten's Late Works
Kimberly Fairbrother Canton, Amelia DeFalco, Linda Hutcheon, Michael Hutcheon, Katherine R. Larson, Helmut Reichenbächer
2012· article· en· University of Toronto Quarterly· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
The Form of the Finished
Ross Woodman
2011· article· en· University of Toronto Quarterly· Mathematics
machine prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
Identity over Time in <i>Paradise Lost</i>
Ayelet Langer
2021· article· en· University of Toronto Quarterly· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
Milton and the Pursuit of Happiness
Catherine Gimelli Martin
2008· article· en· University of Toronto Quarterly· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueaboutno affunlabeled
Humanities
2012· article· en· University of Toronto Quarterly· Social Sciences
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
venueno affunlabeled
Northrop Frye and Theories of Human Nature
Merlin Donald
2012· article· en· University of Toronto Quarterly· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueaboutno affunlabeled
Sciences humaines
Janet M. Paterson, Robert Yergeau, Daniel Vaillancourt
2000· article· en· University of Toronto Quarterly· Social Sciences
machine prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
William Empson: Two New Tropes?
David Reid
2009· article· en· University of Toronto Quarterly· Social Sciences
machine prediction:candidate · noneconsensus · none
0
citations
venueaboutno affunlabeled
The Earle Birney – Malcolm Lowry Connection
Nigel Foxcroft, Christian Høgsbjerg
2022· article· en· University of Toronto Quarterly· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affvenueno abstractunlabeled
Sciences Humaines
Jimmy Thibeault
2015· article· en· University of Toronto Quarterly· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations

How this was built: Screen · Findings · About